With its second and final album, Visitors, Automatic Man unveiled a new lineup. Lead singer/keyboardist Bayeté (real name: Todd Cochrane) and guitarist Pat Thrall were still on board, but bassist Doni Harvey and former Santana drummer Michael Shrieve were gone-and their replacements were bassist Jerome Rimson and drummer Glenn Symmonds. The Bay Area quartet was still interracial (half white, half black), but with the personnel changes came a more commercial approach. While Automatic Man's self-titled debut album of 1976 was an uncompromising, fairly abstract effort that had to be accepted on its own terms, Visitors finds the band making its progressive rock/space rock funkier and more accessible. Automatic Man definitely increased the funk/soul factor on this LP, and tunes like "Daughter of Neptune" and "Give It to Me" have an immediacy and a directness that the first album lacked…
In 1976, guitarists Paul A. MacDonnell and Robert Cross, bass player Trevor Darks and drummer/vocalist Dave Ball joined their considerable skills and produced one of the greatest but nearly forgotten heavy progressive projects, Automatic Fine Tuning. Doing an early form of neo-classical instrumental rock that predates the gothic harmonies and Paganini-love of Michael Schenker and Yngwie Malmsteen, the quartet boldly went where few rock ensembles had and recorded one brilliant album before disbanding.
REM Automatic For The People (2017 UK 25th Anniversary Deluxe Edition 3-CD box set comprising a 12-track remastered CD of the album, a 13-track live CD recorded at the 40 Watt Club on 19th November 1992 and 20-track DemosCD plus bonus track Photograph [featuring Natalie Merchant].
Widely considered to be one of the best albums of the 90s, 1992’s Automatic For The People features R.E.M.’s iconic hit singles “Nightswimming,” “Man on the Moon” and “Everybody Hurts.” Includes a brand new remaster of the original album on CD 1, remastered from original analogue tapes by Stephen Marcussen under the direction of original Producer Scott Litt. CD 2 features live tracks recorded at the band’s 1992 show at The 40 Watt Club in Athens, the year of Automatic For The People’s original release. This was the only concert that R.E.M. performed that year. The highly sort-after & acclaimed recording is remixed from the original multi-tracks by John Keane.
A short-lived collaboration between keyboardist Roger Eno, guitarist Bill Nelson, and oboist/saxophonist Kate St. John, Channel Light Vessel is more than a new age supergroup. Perhaps it's the influence of St. John (a key member of the underrated Dream Academy), but this is the most pop-oriented album Nelson's been involved with since his early-'80s run of pre-ambient solo records. Some tracks have vocals by Nelson and/or St. John (the opening duet, "Testify," is downright catchy), but even the instrumentals have recognizable melodies and easy-to-grasp structures. Eno's contributions are about evenly split between piano and synthesizers, and his playing is typically excellent; though often overshadowed by his more famous and innovative older brother Brian, Roger is a notable talent in his own right…
"Not Accepted Anywhere is the debut album from Welsh rock band The Automatic, originally released on 19 June 2006. Working with producers Stephen Harris, Richard Jackson and Ian Broudie on different tracks at a variety of studios around the United Kingdom the album was released through a joint deal between B-Unique Records and Polydor Records…." (Wikipedia)
6th studio album by Lithuanian Award winning rock band The SKYS. The album features Snowy White (Pink Floyd), Durga McBroom (Pink Floyd), Neil Taylor (Robbie Williams band) and many more. Produced by Grammy wining producer Dom Morley.