Ayler Cherrie

Albert Ayler - Fondation Maeght Nights, Volume 2 (1970) {Jazz View COD 005}
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© 1970 Jazz View | COD 005
Jazz / Avant-Garde Jazz / Saxophone

These recordings were previously available as separate volumes and now are packaged together as a double set. These concerts were recorded after Albert Ayler's attempts at more commercial efforts and shortly before the discovery of his death…This was a historically important recording without a doubt, and if not given concentrated attention, very satisfying in many ways.

This is the one to purchase if you decide to own one Urbani in your collection. Why? The quartet (Luigi Bonafede on piano; Furio Di Castri on bass; and Paolo Pellegatti on drums, with Urbani, of course, on alto sax) performs with uncommon synchronicity on a varied set. While the album is dedicated to Ayler and Coltrane, the music is anything but free-style, as might be implied. Instead, the wonderfully diverse pick of tunes (Coltrane's "Naima," Bird's "Scrapple form the Apple," Waldron's "Soul Eyes," Weill's "Speak Low," among three originals) is played with exquisite passion and precision. "Scrapple," where Urbani is backed only by acoustic bass, is a masterpiece, while "Soul Eyes" is blown with heart-rendering grace. Urbani's own "Dedications" burns, leaving behind little, if any, tread. Think of Urbani as a sort of super-Phil Woods and you might get the idea. Very cool.

An unusual and captivating work from the trio of saxophonist Alexandra Grimal, double bassist Benjaim Duboc, and cellist Valentin Ceccaldi, leading their album with tracks from "Respirer l'ombre" by Giuseppe Penone "spontaneously used without permission but with great admiration," leading to powerful and unpredictable directions in free improvisation; excellent.