Bartók’s only opera is an intense drama, involving only two characters and underpinned by a rich orchestral score. Bluebeard’s young bride persuades him to open seven doors in his castle to let the light in. Behind each she finds increasingly disturbing sights, until the final door opens to reveal the castle’s secret and her fate.
With his Third Symphony, Sibelius began a process of innovation that was to culminate in his Seventh and final symphony. He discarded the conventional structure of a symphony, and into each work condensed a unique aura that evokes beauty, mystery, colour and light together with his love of his Finnish homeland.
Following the denunciation by the state of his opera Lady Macbeth of the Mtsensk District, Shostakovich's Fifth Symphony was viewed as his most socialist symphony, pandering to the demands of the Stalinist regime. However, in Gianandrea Noseda's hands, Shostakovich's cynical intent comes to the fore, highlighting the brutality rather than the glory of the Soviet state.
Completed when Mendelssohn was only fifteen, his First Symphony is an energetic work, exhibiting the young prodigy’s genius and youthful outlook. Both versions of the third movement (the orchestrated scherzo from his Octet from the London premiere, and the original version) are presented here for comparison. One of his best-loved works, the “Italian” Symphony stems from Mendelssohn’s tour of Europe (1829-31) and is inspired by Italy’s vivid sights, sounds, and atmosphere.