B.B. King has transcended the blues subculture to become one of the most revered artists of the 20th century, bar none. He brought the sound of Mississippi Delta blues into the mainstream, modernized by his unique electric guitar work. Worldwide success came late for him, but that delay only encouraged him to hone his craft to an unprecedented pinnacle. This 3-CD collection hits many of the highlights of his extraordinary career, including: The Thrill is Gone, Everyday I Have the Blues, Chains and Things and Gambler s Blues. Madacy s B.B. King Collector s Edition Tin provides an excellent introduction to an important cultural icon a deluxe package guaranteed to prevent the thrills from going out of your life.
The Piano Concerto No. 2 in B♭ major, Op. 83, by Johannes Brahms is separated by a gap of 22 years from his first piano concerto. Brahms began work on the piece in 1878 and completed it in 1881 while in Pressbaum near Vienna. It took him three years to work on this concerto, which indicates that he was always self-critical. He wrote to Clara Schumann: "I want to tell you that I have written a very small piano concerto with a very small and pretty scherzo." Ironically, he was describing a huge piece. This concerto is dedicated to his teacher, Eduard Marxsen. The public premiere of the concerto was given in Budapest on 9 November 1881, with Brahms as soloist and the Budapest Philharmonic Orchestra, and was an immediate success. He proceeded to perform the piece in many cities across Europe.
PHIL SPECTOR PRESENTS THE PHILLES ALBUM COLLECTION, with its seven CDs and 87 tracks, now far supercedes the 20-year old 1991 box set, Back To Mono (1958-1969) (ABKCO). The latter housed three compilation CDs, and a reissue of 1963’s A Christmas Gift For You From Phil Spector. In October 2009, the Philles catalog came to Sony Music as the result of a licensing agreement with EMI Music Publishing. Not long after, a newly-remastered version of A Christmas Gift for You found a permanent home in the new Phil Spector Records/Legacy catalog.
Richard Strauss’s (1864–1949) acceptance into the pantheon of great Lieder composers began in the early 1950s, perhaps marked by the enthusiastic reception of his Four Last Songs, premiered by Kirsten Flagstad eight months after Strauss’s death. It wasn’t long before these songs became widely performed, and by extension, his Lieder as a whole, began to gain greater acceptance as high art along with Schubert, Schumann, Brahms, and Wolf. This compilation concentrates on Strauss Lieder recordings from an earlier era that display the sort of vocal charm and straightforward approach to the music not usually heard in today’s style of Lieder singing. Many of these recordings are extremely important historic documents retaining their position as the definitive versions of Strauss Lieder. Some of the singers included here not only knew Strauss, but worked with him, and their recordings could have been heard and judged by him. This three CD-set contains forty songs in eighty-two performances by fifty-seven singers.
VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others.
Deutsch als Fremdsprache für Erwachsene
Das dreibändige Kursbuch mit integriertem Übungsteil (B 2/1 und B 2/ 2) oder separatem Arbeitsheft (C 1) enthält …
The Black-Man’s Burdon is a double LP by funk band Eric Burdon and War, released in December 1970 on MGM Records. It was the second of two albums by the group before Burdon left and the remaining band continued as War.
With the present album postscriptum B. Jörg Ulrich Krah and Bernhard Parz fulfilled a long-standing dream. More than ten years ago, they had the idea to record and publish the violoncello sonatas by Ludwig van Beethoven. They were inspired by a recording whose concept sets new accents, taking into account the long-standing interpretation history and brings Beethoven's music to life. By bridging the gap to contemporary music by Georg Katzer, Beethoven's modernity and his curiosity to always look ahead are addressed. Like Beethoven, Katzer was always forward-looking. Like Beethoven, he was able to combine craftsmanship with a high degree of fantasy and poetry. Like Beethoven - and also the two interpreters of the present recording - Georg could be met with a good glass of wine and an inspiring conversation about music and life.