B.b. King Vintage Years

This impressive, impeccably packaged four-CD box set focuses solely on B.B. King's 1950s and 1960s recordings for the Modern family of labels. That was a period that basically encompassed the vast majority of his work prior to 1962, though he did a few non-Modern sides before signing with ABC Paramount in early 1962 and did a few other sides for Modern in the mid-'60s. So this is basically a box-set overview of King's early career, one that saw him score many R&B hits and build a career as a blues legend, even as the blues were falling out of fashion in favor of rock and soul. As many tracks as there are here - 106 in all, four of them previously unreleased - this isn't a catchall roundup of everything the prolific King did for the label…

This unusual compilation from the Kool Jazz at Midem Festival combines parts of three separate sets. The Dave Brubeck Quartet with clarinetist Bill Smith, bassist Chris Brubeck and drummer Randy Jones, has the most interesting program, utilizing an electronic delay along with Smith's clarinet to add a new touch to "Lover Man," offering an energetic version of "Blue Rondo a la Turk" and introducing a recent work by Brubeck, the very swinging "Ol' Bill Basie" which showcases some fine playing by the leader and some choice bass trombone by son Chris. Guitarist Pat Metheny joins the Heath Brothers for "Move To The Groove; " Metheny's bluesy guitar and Jimmy Heath's soulful tenor sax work well together. B. B. King's set is at best average and an odd choice to include on what is predominantly a jazz record.

B.B. King - Singin' The Blues (1957) {2005 Remastered & Expanded, Crown–Ace Records CDCHM1041}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 199 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar
© 1957, 2005 Crown Records | Ace Records | CDCHM 1041
Blues / Modern Electric Blues / Soul-Blues / Memphis Blues

Step forward the eighth set in Ace's mid-price series of vintage B.B. King recordings based on his albums released on the Crown label. Between 1957 and 1963, the Bihari brothers' dime store label released 12 albums, comprised of singles from their RPM and Kent labels, tracks from the vaults, plus dedicated album sessions. Despite the "cheap and cheerful" production values, the B.B. King Crown albums became collectors' items due to the high quality of B.B.'s recordings and the eye-catching artwork. The LPs were a discographical headache until Ace was able to unravel the details.

After three years and four albums, the '80s incarnation of King Crimson, featuring Adrian Belew (guitar/vocals/drums), Bill Bruford (drums/percussion), Robert Fripp (guitar) and Tony Levin (bass/stick/synth/vocal) wrapped up their initial collaborative efforts at the conclusion of their 1984 North American tour. Absent Lovers (1998) presents the July 11, 1984 parting performance at the Spectrum in Montreal, Quebec in its entirety. As the show was simulcast on FM radio, decent sounding copies have been traded amongst the faithful for years, although not in such stunning fidelity or completeness. While the contents draw primarily from the Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984) long-players, the quartet likewise dip into the vintage Krim catalog…

Retailing at around $90 for less than three hours of music, this Japanese import seems designed to test the most die-hard King Crimson fan. That's not the half of it, because the truth is, it's also a very good set, up to a point. The most notable element here is the presence of the first decent body of concert work by the early 1972 lineup of Boz Burrell-Mel Collins-Ian Wallace, which was the band that most fans ever got to see, among all of the early incarnations of the group. Add on the presence of a killer early performance by the John Wetton-Bill Bruford band, and one of the earlier extant shows of the group's original lineup, from the Marquee Club, and the package seems unbeatable - and pretty much, it is. Disc one contains a July 1969 Marquee Club show, made off of an audience tape…

Retailing at around $90 for less than three hours of music, this Japanese import seems designed to test the most die-hard King Crimson fan. That's not the half of it, because the truth is, it's also a very good set, up to a point. The most notable element here is the presence of the first decent body of concert work by the early 1972 lineup of Boz Burrell-Mel Collins-Ian Wallace, which was the band that most fans ever got to see, among all of the early incarnations of the group. Add on the presence of a killer early performance by the John Wetton-Bill Bruford band, and one of the earlier extant shows of the group's original lineup, from the Marquee Club, and the package seems unbeatable - and pretty much, it is. Disc one contains a July 1969 Marquee Club show, made off of an audience tape…