Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.
Buck Owens, along with Merle Haggard, was the leader of the Bakersfield sound, a twangy, electrified, rock-influenced interpretation of hardcore honky tonk that emerged in the '60s. Owens was the first bona fide country star to emerge from Bakersfield, scoring a total of 15 consecutive number one hits between 1963 and 1967. In the process, he provided an edgy alternative to the string-laden country-pop that was prevalent at the time.
Saramaccan Sound (Suriname) are a brother duo - Dwight Sampie and Robert Jabini - who write and perform flowing acoustic songs sung in Saramaccan, the language from the Americas with the most African elements. Their debut album was recorded in situ by Grammy winner Ian Brennan (Parchman Prison Prayer, Ustad Saami, The Good Ones) along a remote riverside in the Amazon region of Suriname. The lyrics are topical and reference everyday strife such as the rising tides and floods in the area due to global warming.
Omnivore's 2013 double-disc set Buck Em! The Music of Buck Owens (1955-1967) provides an interesting spin on Buck Owens: through a collection of mono singles, live tracks, alternate takes, early 45s, and other rarities, it tells an alternate history of Buck's prime years. If there's a hit on this 50-track collection, it's almost always in a version that's slightly different than what usually shows up on a standard greatest-hits. "Second Fiddle," "Love's Gonna Live Here," "I Don't Care (Just as Long as You Love Me)," "I've Got a Tiger by the Tail," and "Before You Go" are all in mono, there's an early version of "Ain't It Amazing Gracie," and "Act Naturally" is live, so they're familiar enough to not feel jarring and they do provide the core of a collection that winds up wandering into some pretty interesting territory.