Blue Note has done an admirable job of collecting the mellow material of a number of classic players for its Ballads series. Sonny Rollins' entry, like the others, finds the tenor in a late-night mood. The disc begins and ends with intimate trios offering fine renditions of "I Can't Get Started" and "Softly As in a Morning Sunrise," both featuring bassist Wilbur Ware and drummer Elvin Jones. The openness of these two live recordings allows Rollins plenty of room to search and discover the right notes. There's a seven-minute version of Thelonious Monk's "Reflections" with Monk himself sitting in, and an adventurous take on "Decision" with trumpeter Donald Byrd, pianist Wynton Kelly, and drummer Max Roach. Certain choices, like "How Are Things in Glocca Morra?" from Finian's Rainbow, also show Rollins' willingness to search outside of the jazz world for good material…
Quiescence and awakening. Tradition and innovation. Body and soul. Rolf Kühn finds such opposing forces attractive. With his new album "Yellow + Blue", the 88-year-old clarinetist once again improvises and swings his way through uncharted musical territory. "Europe's greatest clarinetist and free spirit" (Jazzthetik) plays ballads and legendary love songs on his new MPS album. In so doing, he delivers new meaning and a fresh sound to the pieces. A sentimental look back is simply not his thing. Together with his new quartet of pianist Frank Chastenier, bassist Lisa Wulff, and percussionist Tupac Mantilla, Kühn contrasts his sensitive side with his unbridled desire to experiment.
Heavily influenced by the Delfonics and the Stylistics, Blue Magic was best known for smooth, dreamy, gossamer treasures like "Sideshow," "What's Come Over Me," "Spell," and "Three Ring Circus." Blue Magic epitomized the sweeter side of Philadelphia soul, and R&B lovers associated the vocal quintet with romantic ballads and slow jams – not tough, gritty funk. So it came as a major surprise when, in 1976, Blue Magic opened its fourth album, Mystic Dragons, with the very funky and very danceable "Freak-N-Stein."
Originally released on vinyl in 1979, Ballads For Two finds both musicians at the top of their game. Recorded on the 8th and 9th January 1979 in Stuttgart, Germany, this original vinyl release was not widely distributed. Now available for the first time on CD, the combination of Wolfgang's originals & well chosen covers is stunning. Baker's trumpet is emotive and telepathic with Wolfgang's vibes. Two bonus tracks are added from the original recording session. Chet plays a beautiful muted trumpet on the alternate take of Why Shouldn’t You Cry. Both musicians really stretch out on Double O, a Lackerschmid original. A Four Star review from Downbeat noted, "Ballads For Two arrives as an unexpected treat, defying Baker's detractors and placing him with success in unfamiliar surroundings." Highlights are Blue Bossa & Waltz For Susan.
Although he's a monster tenor soloist on funky, exuberant, bluesy soul-jazz, Stanley Turrentine is even more awesome on ballads. His rich, steamy sound, full tone, and ability to pace and develop moods is ideal for show tunes and sentimental love songs. This nine-track set begins with Turrentine nicely caressing the melody and turning in a standout treatment on "Willow Weep For Me," continuing through tearjerkers ("Since I Fell For You") and blues anthems ("God Bless The Child"), and closing with Thad Jones' beautiful "A Child Is Born." Turrentine is matched with numerous premier players, and pianist McCoy Tyner, guitarist Jimmy Smith, and even Turrentine's brother Tommy (trumpet) gently support and complement the main soloist. One of the best Blue Note special discs, featuring moving, frequently hypnotic playing from a true tenor great.