Ballet

An excellent round-up of the 15 hit singles that, between late 1980 and fall 1984, saw Spandau Ballet transcend every prediction ever levelled at their music, and establish themselves among the most versatile British bands of their era. From the utterly convincing white boy Funk of the early "To Cut A Long Story Short", "The Freeze", "Musclebound" and "Chant No 1", through the bodyswerve to ballad-ville that ushered in the age of "True" and "Gold", and onto the near-anthemic guitar pop of "Only When You Leave" and "Highly Strung", The Singles Collection suffers only from its failure to tell the tale in strict chronological fashion.

Philip Lane, ‘The doyen of British Light Music’ (James Jolly, Gramophone), has collaborated with Heritage for this Winter 2017 release – British Celebration 2, the sequel disc to British Celebration, features orchestral music composed by leading figures in the Light Music movement: Paul Lewis, Thomas Hewitt Jones, Roy Moore, Anthony Hedges, Philip Godfrey, Timothy Roberts, Philip Spratley, Nicholas Smith and Gavin Gordon.

With the new romantic movement they'd helped spearhead on the way out, futurist icons Spandau Ballet began thinking seriously about the future on their second album. The seeds of the group's transition to a slick, MOR soul outfit can be heard in hits like "Chant No. 1," the best song Spandau Ballet had come up with…

Changing their band name as often as they changed the genre of music they played, Spandau Ballet began as a punk rock band calling themselves The Cut. Shortly after they changed their name to The Makers, and again In 1978 they changed their sound to a more power pop renaming themselves Gentry. Changing their sound once again to a more polished, synth heavy pop with an emphasis on the romantic the band changed their name for a last time to Spandau Ballet after (as the story goes) seeing the name "Spandau Ballet" written on a lavatory wall in a bar in Berlin…

Pure enjoyment is provided by this delightful new recording of popular Russian music arranged for clarinet and orchestra by Robin White. From Rimsky-Korsakov’s Clarinet Concerto – originally scored for military band – to the Andante Cantabile from Tchaikovsky’s first string quartet (a staple for arrangers for decades) this is a beautifully played album by one of Britain’s busiest orchestras. An interloper (but a welcome one) from Italy (but of Eastern European style) provides a superb finale. Ian Scott is the principal clarinet of the Royal Ballet Sinfonia and has been guest principal with several top London orchestras. He has previously made premiere recordings of Clarinet Concertos for ASV and Dutton.

By 1983, with the new romantic movement they'd sprung from a rapidly fading memory, the members of Spandau Ballet showed they had no intention of traveling the same path. Always ambitious, the British quintet really got down to business: Gone were the kilts, frilly shirts, and makeup – as well as the sometimes chilly electronics of their first two albums…

Parade was Spandau Ballet's follow-up to their most successful LP, 1983's True. "Only When You Leave" reached number three on the U.K. charts. The three other singles that were released do successively worse: "I'll Fly for You" (number nine), "Highly Strung" (number 15), and "Round and Round" (number 19)…

Ballet is not a form for which British composers are generally known, but this CD includes four dance works by Malcolm Arnold: two of the composer's complete shorter ballets, Rinaldo and Armida and Electra, as well as suites from two of his longer ballets, Homage to the Queen and Sweeny Todd, performed with impressive enthusiasm by the BBC Philharmonic under Rumon Gamba and recorded in imposed digital sound by Chandos.