Released on the heels of the stilted, static Cahoots, the double-album Rock of Ages occupies a curious yet important place in Band history. Recorded at a spectacular New Years Eve 1971 gig, the show and album were intended to be a farewell of sorts before the Band took an extended break in 1972, but it turned out to be a last hurrah in many different ways, closing the chapter on the first stage of their career, when they were among the biggest and most important rock & roll bands. That sense of importance had started to creep into their music, turning their studio albums after The Band into self-conscious affairs, and even the wildly acclaimed first two albums seemed to float out of time, existing in a sphere of their own and never having the kick of a rock & roll band.
The Best Of Manfred Mann's Earth Band is a compilation album released in 1993 by Manfred Mann's Earth Band. After a very successful period in the 60's with the pop group named after him and a much less successful intermezzo in Jazz with Chapter Three, the South-African born keyboardist Manfred Mann turned towards Rock music. In 1971 he formed Manfred Mann's Earth Band (MMEB). Mann's use of the Moog synthesizer was key to the sound of this band. MMEB had a very successful area during the mid 70's and early 80's but was disbanded by Mann in 1987 after being fed up with trying to produce hit records. He started a project which was based mostly on the music of Native American Indians named Manfred Mann's Plain Music and which released one album. After this Mann reformed the MMEB in 1991 and was starting again to release records with them occasionally but also to be a regular live band with extensive tours mostly in Europe until today.
A View from the Top of the World is an incredibly solid album that brings out the best qualities in Dream Theater’s current incarnation. Predictable, sure, but incredibly solid…
As a longtime staff arranger for Liberty Records, Bob Florence wrote some of the most innovative and challenging charts in postwar jazz - in many respects a man out of time, he possessed a particular brilliance for large-ensemble arrangements in the tradition of Duke Ellington, although the commercial vogue for big-band jazz had long since passed.
Over the years the group (dubbed the Limited Edition in 1982) served as a launching pad for a number of first-call L.A. session players, and in 2000 the LP Serendipity 18 won the Grammy for Best Jazz Performance by a Large Ensemble. Florence died of pneumonia on May 15, 2008, two weeks shy of his 76th birthday.
None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty.