Band of Mourning

Tedeschi Trucks Band’s “I Am The Moon” is a four album rock ‘n’ roll event. Inspired by classical literature and driven by the isolation and mourning of the pandemic era, “I Am The Moon” features 24 original tracks and more than two hours of music. The four albums that comprise “I Am The Moon”— I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — will be released in successive months beginning with “I Am The Moon” – I. Crescent, available digitally and on CD, Friday, June 3rd. (All vinyl configurations, including individual LPs and the 4-LP “I Am The Moon” Deluxe Box will be available on September 9th).

Tedeschi Trucks Band’s I Am The Moon is a four album rock ‘n’ roll event. Inspired by classical literature and driven by the isolation and mourning of the pandemic era, I Am The Moon features 24 original tracks and more than two hours of music. The four albums that comprise I Am The Moon— I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — will be released in successive months beginning with I. Crescent.

Tedeschi Trucks Band’s “I Am The Moon” is a four album rock ‘n’ roll event. Inspired by classical literature and driven by the isolation and mourning of the pandemic era, “I Am The Moon” features 24 original tracks and more than two hours of music. The four albums that comprise “I Am The Moon”— I. Crescent, II. Ascension, III. The Fall, and IV. Farewell — will be released in successive months beginning with “I Am The Moon” – I. Crescent, available digitally and on CD, Friday, June 3rd. (All vinyl configurations, including individual LPs and the 4-LP “I Am The Moon” Deluxe Box will be available on September 9th).

Jack McDuff Big Band - Prelude (2003) {Prestige PRCD-24283-2 rec 1963-66}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 505 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1963-66, 2003 Prestige / Fantasy | PRCD-24283-2
Jazz / Hard Bop / Soul Jazz / Organ

Prelude was a successful match of McDuff's small-combo organ jazz with big band arrangements by Benny Golson. In part, that was because the blend was well-executed, never fighting with or drowning out McDuff's organ. But it was also because the mixture made it stand out amidst the scads of organ jazz records being churned out in the early '60s. While a very young George Benson was in the core quartet on guitar, a dozen others supplemented the players, including trumpets, trombones, French horns, and saxophones.

If you liked the melodic and harmonic tunes of Traces o'red, this album surpasses all expectations. It sounds spectacular. No synthetic drums and bass. This is the real thing. Traces was also a great album to contain much midi, but this album does it superbly without any computersound. Also a faboluos song from their early days. So this band really deserves great recognition worldwide. Check it out. It is plain and simple geniality.

The band originates from the web comic of the same name by Finnish artist J.P. Ahonen. The heralds of northern darkness BELZEBUBS have confirmed April 26th, 2019 as the release date for “Pantheon of the Nightside Gods”, their long-awaited Century Media studio album. Consisting of nine tracks and a running time of 53 minutes, the upcoming album features a well-matured band that is not afraid to explore hitherto unknown depths. Recorded at Hellhole Studios during autumn 2018, ”Pantheon of the Nightside Gods“ also features a fierce roster of guest talent, including the likes of Desibelius, ICS Vortex and Skvllcraft and more. The album was mixed and mastered by the legendary Dan Swanö, who's also responsible for the sound of DARK FUNERAL’s ”The Secrets Of The Black Arts”, DISSECTION’s ”The Somberlain” and many others.