This Prestige collection combines two 1958 sessions that feature Mose Allison on many cherished standards, and a few early originals. Here the pianist/vocalist divides his time between instrumental piano trio numbers and those that feature his bluesy Southern vocals. Listening to many of these familiar tunes, it is easy to see how Allison was influenced by everyone from Sonny Boy Williamson and Nat King Cole to Bud Powell.
This here is the definition of international jazz, recorded in Paris in 1956 by two relaxed, unpretentious, melodic, and well-rehearsed groups including both American and European jazz musicians. These meetings were documented in two excellent albums: “Jazz on the Left Bank” and “Réunion à Paris.”
The single piece by Cecil Taylor lasts an hour. It was recorded during the second of two concerts given to celebrate the first ten years of the Italian Instabile Orchestra. This was part of the Talos Festival in Ruvo di Puglia, in Southern Italy, on September 10, 2000. From the sounds of an orchestra warming up, to a subdued conclusion that rumbles deeply and insignificantly, Taylor’s piece takes his audience on a journey through scenery that changes gradually and often. Indistinct human voices can be heard along the way; so can the sounds of trumpet valves clacking, saxophone keys tapping, reed mouthpieces chattering, brass mouthpieces kissing, and tympani rolling along.