Barbara Mayer

For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.

Cinema 's latest art, in other words the seventh art. Six other arts include theater, painting, sculpture, music and dance. Among these are the only art cinema is not only to serve a six-art but also promoting them have been able to forgive. As well as the cinema industry, the technique is also employed in your text. In the collection you will be familiar with the cinema and science of cinema.

The classical conductor Ulrich SOMMERLATTE was more than sixty years old when he fell in love with Progressive rock. Not unlike a certain Eduard ARTEMIEV, who followed a similar path at the same time in the Soviet Union, our man decided to offer his great knowledge to the popular music of that era. Today reissued by the Musea label, "Sad Cypress" has been recorded in 1979 with the help of the Master's son on keyboards, a guitarist-singer, a drummer and a flautist-bassist. The result, as one could expect, is a superb symphonic rock, precious and refined, full of fineness and harmonic tricks. The influences range from GENESIS (above all) to YES, CAMEL and GENTLE GIANT. Add to this that the CD reissue includes four bonus tracks, recorded between 1983 and 1987.

Karlheinz Stockhausen - Himmelfahrt - 1st Stunde aus Klang (2006) {Stockhausen-Verlag No. 83}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 192 Mb
Full Artwork @ 300 dpi (png) -> 35 Mb | 5% repair rar
© 2006 Stockhausen-Verlag | Stockhausen 83
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.