Barber Karajan

The pearl of great price: the German tenor who could make you wish to retract all you ever thought, wrote or spoke about the species, the Mozart tenor who could sound both elegant and manly, the singer who could almost persuade you that Strauss loved the tenor voice as he did the soprano. We hear Wunderlich in this collection additionally as Rossini’s Almaviva, scrupulous with his triplets and almost as careful with his scales. His “Il mio tesoro” drops not a semiquaver and takes the long phrases with confident ease.

For many their first encounter with classical music will be through its use in films and this collection makes a fantastic entry point to this rich and diverse world. Helpfully all tracks list the films alongside the music, so there will be no doubt as to where the music is familiar from. Classical music has been used to memorable effect in films many times from Ride of the Valkyries in Apocalypse Now to Barber s Adagio in Platoon and from Also sprach Zarathustra in 2001: A Space Odyssey to Beethoven s Ninth in A Clockwork Orange. Occasionally, as in the case of Mozart s Piano Concerto No.21 used in Elvira Madigan, the film title has provided a lasting nickname for the music. All these favourites are included here.

An inspiring, authoritative, chronological overview of one of the defining label-orchestra relationships, documenting 100 years of recording between two giants in music, the Berliner Philharmoniker and Deutsche Grammophon, from 1913 to 2013.

A 50-CD set of legendary recordings celebrating the world-renowned Decca Sound. Classic-status pioneering stereo recordings from the past 60 years and starring a galaxy of internationally-acclaimed artistic talent.

Limited edition 100 CD box set on the premiere classical label Deutsch Grammophon. Subtitled from Gregorian Chant to Gorecki. For some it will be the ultimate reference tool. For others a big place to start on something they always wanted to know about. Either way, the idea is to present a comprehensive history of Classical Music from its origins to the present day, covering all periods, including all major composers.

Various Artists - 101 Relaxing Classics (2016) {6CD Box Set Decca 478 5074 rel 2013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.81 Gb | MP3 @320 -> 1.06 Gb
Full Artwork @ 300 dpi (png) -> 81 Mb | 5% repair rar
© 2013, 2016 Decca Music | 478 5074
Classical

With the stresses and strains of modern life to contend with, many turn to classical music for solace and this varied collection of over seven and a half hours of relaxing favorites is the perfect antidote to the pressures of modern life. The set is themed and starts with two CDs of choral music, many of which are vocal arrangements of familiar favorites. These are followed by CDs devoted respectfully to flute and harp, the classical guitar, piano and orchestral music. Those who enjoyed the 101 Adagios set will find much to enjoy here, and can be reassured that any duplication is kept to an absolute minimum and where it does occur, is in strikingly different arrangements. The artists at the helm of this relaxing journey include the choirs of King s College Cambridge and the New College Oxford, flautist William Bennett and harpist Marisa Robles, Pepe Romero, Vladimir Ashkenazy, Herbert von Karajan and Sir Georg Solti.

If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed.

A Limited Edition, Original Jackets collection showcasing the artistry of the magnificent American soprano, Kathleen Battle. Kathleen Battle enraptured opera audiences of the 1980s and 1990s. Here was a lyric soprano combining unsurpassable beauty of tone with a keen musical intelligence, a way with words and a communicative warmth that drew listeners to Strauss and spirituals alike. She has the easy phrasing of a great jazz singer combined with the breath, breadth and precise projection of a trained voice. James Levine coached her at the Metropolitan Opera, and when he accompanied her at the 1984 Salzburg Festival and DG recorded the recital as Battle's debut solo album, nothing less than a phenomenon was launched.