Warner Classics has issued this splendid three disc boxed set of eight Franz Liszt scores. It fetaures Daniel Barenboim as both piano soloist and conductor… This fine selection could not have a finer advocate than Daniel Barenboim; a true giant in the classical music world today. A brilliant performer at the piano and a conductor of great renown this man lives for music. - Michael Cookson; MusicWeb-International
The Orchestre de Paris is a French orchestra based in Paris. The orchestra currently performs most of its concerts at the Philharmonie de Paris.
These recordings were made by Erato shortly before Barenboim took over as musical director at Chicago and were hailed at the time as the best possible foretaste of the partnership. Until recently they were available on Warner’s mid-price Elatus label but, despite the strong recommendations which they received in that form, such is the economic pressure of the times that they have now been further reduced to the budget-price Apex label.
Hi buddies! Despite I'm not a fan of Barenboim as a conductor, here in Spain, we have a magazine (is almost as sect) that promotes all the cds signed by Dani, like a sort of last revelation when things were invented time ago... Anyway my sick interest defeated me :P and was attracted by this Spanish pressing LP from the junks...and it really impressed me. Its sound is really nice!!! It has a nice performance of the music that I don't know why EMI didn't reissued on cd. The matter comes from the Side B; it has a lot of tracking noise so the groove is totally useless. The transfering of Divertimento was done, but couldn't take a decent sound from it. That's why I didn't add it here. Despite of that, Divertimento was reissued on and old EMI Matrix cd coupled with Schoenberg's Transfigured Night and Hindemith's Trauermusik, so if someone has it, it will be welcome. Please, let me know if you like how it sounds :) Enjoy!
The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.