On Trash Generator, the Sacramento trio Tera Melos builds on its prodigious mix of post-hardcore and prog, reining-in the chops in service of catchy, harmonically rich songs.
It's official: in 2007, it's all come full circle. Prog rock has made its way into the indie scene. Battles' Mirrored, their debut full-length after three EPs, makes that plain. Messrs. John Stanier of Helmet and Tomahawk, guitarist/keyboardist Ian Williams of Don Caballero and Storm & Stress, guitarist David Konopka of Lynx, and avant solo musician Tyondai Braxton have constructed an album that combines the best of Van Der Graaf Generator, Magma, Krautrock, and math rock, while coming up with something that stands so far out on the fringe that it is in a league of its own. That so much of this music is created via the magic of software and combined with one- or two-note keyboard and guitar patterns makes it the Philip K. Dick equivalent of modern rock.
As far as the more casual observer is concerned, the prog rock revival of the 80s was kicked off by Marillion and their ‘Market Square Heroes’ EP and subsequent hit album ‘Script for A Jester’s Tear’ in 1983. Marillion certainly flew the flag for prog’s unexpected commercial success during that decade, but the rumblings of a brilliant, but terminally unfashionable musical revival had actually begun much earlier.