Bat For Lashes

Above the album worked the Rhino '100 Greatest Indie: The Best Guitar Pop Rock ', and his release took place on December 2019. The album has got 100 songs with a total duration of more than an hour. A compilation is a compilation of original music.

Above the album worked the Rhino '100 Greatest Ballads', and his release took place on December 2019. The album has got 100 songs with a total duration of more than an hour. A compilation is a compilation of original music.

Enjoy this Compilation with the most successful 100 Greatest Chillout singers like Otis Redding, Aretha Franklin, Ernestine Anderson and many more!

Above the album worked the Rhino '100 Greatest Chillout ', and his release took place on December 2019. The album has got 100 songs with a total duration of more than an hour. A compilation is a compilation of original music.

Kate Bush Remastered Studio Albums And Rarities: This is the first (and definitive) program of remastering undertaken by the artist and includes the release of many rarities and cover versions for the first time.

Kate Bush is one of the UK music scene's most individual, creative and iconic solo pop stars. In her four decades in the public eye, her hits have included Wuthering Heights, Hounds Of Love, Cloudbusting and Running Up That Hill. She has won Brit and Ivor Novello Awards, and her music was used during the 2012 London Olympics Closing Ceremony. After being given a CBE by Queen Elizabeth II for her contributions to music in 2013, she returned to the stage for the first time in more than 30 years for 2014's rapturously received (and immediately sold out) Before The Dawn shows at London's Hammersmith Apollo.

Kate Bush Remastered Studio Albums And Rarities: This is the first (and definitive) program of remastering undertaken by the artist and includes the release of many rarities and cover versions for the first time.

Sexwitch is something of a radical career tangent for Natasha Khan. With collaborators Toy and producer Dan Carey, the Bat for Lashes singer subjects old, mostly Middle Eastern folk and psych tracks to esoteric new treatments. Khan says that her inspiration is “the scream of rage and rebellion from women dispossessed for millennia” and there’s certainly a powerful femininity – and sensuality – to these tracks, which stimulate the head, the feet and the emotions simultaneously. Percussive grooves hurtle into post-punk guitars; there’s acid rock, Jah Wobble-style global bass and scary demonic droning.

Anna Calvi belongs to a category of uncategorisable singer-songwriters. This label could also be applied to St Vincent, Julia Holter, Bat for Lashes, Feist and Jenny Hval – musicians who march to the beats of their own drums, neither adhering particularly closely to rock and indie traditions, nor truly qualifying as pop (their music isn’t as dumbly infectious or popular enough for that).