Bbc Music 2025

Two great Shostakovich concertante works, in dazzling performances from soloists István Várdai (cello) and Aleksey Semenenko (violin), with accompaniment from the BBC Philharmonic and conductors John Storgårds and Martyn Brabbins.

Two great Shostakovich concertante works, in dazzling performances from soloists István Várdai (cello) and Aleksey Semenenko (violin), with accompaniment from the BBC Philharmonic and conductors John Storgårds and Martyn Brabbins.

Following two highly acclaimed albums, the Maxwell Quartet rounds off its Haydn mini-series with the composer’s two Op. 77 string quartets, juxtaposed with its signature pairing of Scottish folk music. The quartet, which has become known for its ‘infectious enthusiasm’ and ‘irresistible’ playing (BBC Music Magazine), showcases its compelling storytelling with Haydn’s last foray in the genre. The two quartets balance and complement each other perfectly: one brilliant, enigmatic, youthful and light, the other considered, noble and with a certain degree of gravitas. The complementary choice of Scottish folk music is equally balanced, ranging from the joyful – The Marquis of Tullibardine, Captain Campbell’s March, etc. – to the more sombre – Hector the Hero. The cleverly constructed programme epitomises Hatto Beyerle’s aphorism (the Maxwell Quartet’s mentor, and dedicatee of this album): ‘In order to truly understand Haydn’s music, you must first understand folk music.’

Following two highly acclaimed albums, the Maxwell Quartet rounds off its Haydn mini-series with the composer’s two Op. 77 string quartets, juxtaposed with its signature pairing of Scottish folk music. The quartet, which has become known for its ‘infectious enthusiasm’ and ‘irresistible’ playing (BBC Music Magazine), showcases its compelling storytelling with Haydn’s last foray in the genre. The two quartets balance and complement each other perfectly: one brilliant, enigmatic, youthful and light, the other considered, noble and with a certain degree of gravitas. The complementary choice of Scottish folk music is equally balanced, ranging from the joyful – The Marquis of Tullibardine, Captain Campbell’s March, etc. – to the more sombre – Hector the Hero. The cleverly constructed programme epitomises Hatto Beyerle’s aphorism (the Maxwell Quartet’s mentor, and dedicatee of this album): ‘In order to truly understand Haydn’s music, you must first understand folk music.’