Esoteric Recordings is proud to announce the release of a new re-mastered four disc deluxe expanded boxed set limited edition (comprising 3 CDs and a DVD) of Futurama the legendary 1975 album by Be Bop Deluxe.
Recorded in the first two months of 1975 at Rockfield studios (with some sessions also taking place at SARM studios in London), Futurama was the second album by Be Bop Deluxe and the first to feature the line-up of Bill Nelson (vocals, guitars, keyboards), Charlie Tumahai (bass, vocals) and Simon Fox (drums). Produced by Roy Thomas Baker (who at the time was also working with Queen), Futurama was an album of immense musical inventiveness and creativity and was a huge leap forward in creative terms for Bill Nelson…
Following the extraordinary success of guitar virtuoso Pasquale Grasso’s digital showcase series, which launched in 2019 and includes Solo Standards, Solo Ballads, Solo Holiday, and tributes to jazz royalty Thelonious Monk, Charlie Parker, Bud Powell, Sony Music Masterworks is set to release Be-Bop!, a brilliant new tribute to be-bop pioneers Dizzy Gillespie and Charlie Parker. This will be the Italian-born Grasso’s sixth album for Masterworks. Be-Bop! kicks off in exhilarating fashion with Dizzy’s quintessential composition, “A Night in Tunisia,” originally composed in 1942 when he was a member of Benny Carter’s band and which marked the beginning of Gillespie’s unique blending of Afro-Cuban rhythms with American jazz…
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Things had changed for Be Bop Deluxe by the time of the group's fourth album. The band that turned up in glam rock regalia on its 1974 debut, Axe Victim, was in suit and tie on the cover of Modern Music in 1976. Inside, the band's transformation into a sophisticated pop group seemed complete. Arrangements were still ornate, but the songs were dominated by their highly imagistic lyrics, and as often as not, Nelson was borrowing ideas from the Beatles. It didn't quite work, despite pleasant numbers such as "Orphans of Babylon" and "Kiss of Light," perhaps because a true pop sensibility requires a gift for simplicity that Nelson has never exhibited. The album charted high in England and made the Top 100 in the U.S., but it was Be Bop's peak, not its breakthrough.