Beat

In the early '70s, the India Tobacco Company sponsored an annual "All-India Simla Beat Contest." These events sparked compilations of Indian rock bands, Simla Beat 70 and Simla Beat 71, that have been combined into one package on this double-CD reissue. Very, very little Indian rock from this era has been heard in the West, and the sounds are both surprising and, in some ways, disappointing. Surprising in that it's uncanny how much this sounds like the garage bands that could have been playing in any country, although it actually sounds more like bands from Europe and South America that spoke English as a second language than it does like American or British groups. Surprising, also, in that it sounds much more like 1965-1968 rock than it does like early '70s rock, although that's understandable given that it can take years for Western trends make their impact on the other side of the globe.

"During the sixties Adelaide had a thriving music scene. Once used inner city basements and cellars became dark, hot, noisy and smoky clubs and discos. Venues like Alan Hale's Beat Basement, The Scene, Alex Innocenti's The Cellar and Jim Popoff's Big dadd's filled with teen-agers to hear discs spun by local DJs and local groups pounding out R&​B and hits of the day. Bands like the Masters Apprentices, Blues Rags'n Hollers, Southern Gentlemen, Dust'n Ashes, Blues Syndicate, The Vikings/​Why 4, The Others, Sounds Of Silence and many others made their presence felt. Some were lucky enough to release one or maybe two 45s at best, however the emergence of a number of independant recording facilities enables many more to record demos and tracks to mime to on local TV music shows like Action or In Time. This is what we have here, hidden away for over 40 years, the fruits of that youthful energy hopefully getting some recognition, not afforded them at the time.''