Beatles Alternate Versions

Vol 1, Includes Songs From The Beat Years 1963-1965. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.Vol 2, Includes Songs From The Psychedelic Years 1966-1968. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.

Vol 1, Includes Songs From The Beat Years 1963-1965. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.Vol 2, Includes Songs From The Psychedelic Years 1966-1968. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.

Vol 1, Includes Songs From The Beat Years 1963-1965. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.Vol 2, Includes Songs From The Psychedelic Years 1966-1968. Includes The Best Alternate And Unreleased Studio Outtakes Currently Available.

Alternate Rarities 1-4 are a series of individual bootleg CD's by The Beatles. Originally released by Birthday Records, the credits on the cover state this is an "improved" version of the discs made by Blackhead Walrus in 2003. The rarities in this collection include songs where the versions were mixed or edited differently in other countries, a few of them significantly. It used to be where the only way you would be able to hear them is if you bought them individually via import. Most of them are transferred from vinyl but some may also come from reel-to-reel tape, cassette, or even 8-track for certain versions.

The Beatles '1' was originally released in 2000 and quickly became the fastest selling album of all time. Featuring 27 of the band's most significant singles, all of which reached #1 in the US or UK charts, this brand new re-mixed & remastered 2BluRay/CD set represents the ultimate collector's edition of The Beatles '1', featuring all 27 tracks on CD, all 27 promo videos on Disc 1, and an additional 23 videos on Disc 2, including alternate versions.

The Beatles "Magical Mystery Tour Recording Sessions Reconstructed Outtakes and Outfakes" fourdisc set. Great alternate versions, intros, different takes, different stereo and mono mixes (some are quite different).

A superb-sounding double CD of alternate mixes and (just a few) actual alternate takes, named after the late Abbey Road engineer John Barrett, who catalogued and copied many Beatles vault tapes in the early '80s. At first glance, this appears to be a goldmine of unreleased Beatles goodies, spanning "From Me to You" to the Let It Be sessions, but read the fine print carefully. Most of the takes are in fact stereo and mono mixes that happen to be rare or commercially unavailable, not performances that are commercially unavailable. To some fans, these different mixes are revelations; to many, however, they are barely or completely indistinguishable from the familiar versions on official Beatles albums.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.