Beatles White Blu

When Imagine was released in September 1971, John Lennon finally gave Beatles fans the album they wanted. His first three solo records were recorded and released while the group was still around, but they were experimental noise collages constructed with Yoko Ono that had nothing to do with the Beatles' music (unless you consider "Revolution 9" representative of their work). And 1970's post-breakup John Lennon/Plastic Ono Band, as great as it is, was a little too abrasive for folks who still had "Let It Be" and "The Long and Winding Road" ringing in their ears.

Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy. Having been moved by his friend Ravi Shankar's appeal to help the homeless Bengali refugees of the 1971 India-Pakistan war, Harrison leaped into action, organizing on short notice what became a bellwether for the spectacular rock & roll benefits of the 1980s and beyond.

On July 1, 1968, The Band's landmark debut album, Music from Big Pink, seemed to spring from nowhere and everywhere. Drawing from the American roots music panoply of country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, hymns, funeral dirges, brass band music, folk, and rock 'n' roll, The Band forged a timeless new style that forever changed the course of popular music. Fifty years later, the mythology surrounding Music from Big Pink lives on through the evocative storytelling of its songs including "The Weight," "This Wheel's On Fire," "Tears of Rage," and "To Kingdom Come," its enigmatic cover art painted by Bob Dylan, the salmon-colored upstate New York house – 'Big Pink' – where The Band wrote the songs, and in myriad descendant legends carried forth since the album's stunning arrival.