Bee Gees Saturday Night

VA - Saturday Night Fever. The Original Movie Sound Track (1977)

VA - Saturday Night Fever. The Original Movie Sound Track (1977)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1995 | Polydor, 825 389-2 | ~ 499 or 179 Mb | Scans(jpg) -> 27 Mb
Soundtrack / Disco

Every so often, a piece of music comes along that defines a moment in popular culture history: Johann Strauss' operetta Die Fledermaus did this in Vienna in the 1870s; Jerome Kern's Show Boat did it for Broadway musicals of the 1920s; and the Beatles' Sgt. Pepper's Lonely Hearts Club Band album served this purpose for the era of psychedelic music in the 1960s. Saturday Night Fever, although hardly as prodigious an artistic achievement as those precursors, was precisely that kind of musical phenomenon for the second half of the '70s – ironically, at the time before its release, the disco boom had seemingly run its course, primarily in Europe, and was confined mostly to black culture and the gay underground in America…
VA - Saturday Night Fever: The Original Movie Sound Track (1977) [2018, Japan]

VA - Saturday Night Fever: The Original Movie Sound Track (1977) [2018, Japan]
Pop/Rock, Soundtrack, Disco | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:15:46 Min | 516,68 Mb
Label: Capitol Records/Universal Music (Japan) | Cat.# UICY-15743 | Released: 2018-07-11 (1977-11-15)

Every so often, a piece of music comes along that defines a moment in popular culture history: Johann Strauss' operetta Die Fledermaus did this in Vienna in the 1870s; Jerome Kern's Show Boat did it for Broadway musicals of the 1920s, and the Beatles' Sgt. Pepper's Lonely Hearts Club Band album served this purpose for the era of psychedelic music in the 1960s. Saturday Night Fever, although hardly as prodigious an artistic achievement as those precursors, was precisely that kind of musical phenomenon for the second half of the '70s. Ironically, before its release, the disco boom had seemingly run its course, primarily in Europe, and was confined mostly to black culture and the gay underground in America. Saturday Night Fever, as a movie and an album, plus a brace of hit singles off of it, suddenly made disco explode into mainstream, working- and middle-class America with a new immediacy and urgency, increasing its audience ten-fold overnight.
Saturday Night Fever (1977) [2017, 40th Anniversary Super Deluxe Box Set]

Saturday Night Fever (1977)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Capitol, 602557837681 | ~ 649 or 223 Mb | Scans(png) -> 981 Mb
Blu-ray: MPEG-4 AVC, 1080p, 23,976 fps, 16:9, High Profile 4.1
Dolby Digital Audio 2.0, 48 kHz, 224 kbps & 5.1, 640 kbps -> 47.12 Gb
Soundtrack / Disco

The era-defining and highest-selling soundtrack album in history receives a Super Deluxe release to commemorate its 40th anniversary. The boxset edition features the original soundtrack on 2LP, which spawned four No. 1 singles for the Bee Gees and won the GRAMMY Award for Album Of The Year. It also includes an expanded 2CD version featuring 4 new mixes by GRAMMY Award winner Serban, 40th anniversary Director’s Cut on Blu-Ray, 23 page book, 5 art prints, movie poster and turntable mat.

Bee Gees - How Can You Mend A Broken Heart (2020)  Music

Posted by ciklon5 at Feb. 2, 2021
Bee Gees - How Can You Mend A Broken Heart (2020)

Bee Gees - How Can You Mend A Broken Heart (2020)
MP3 320 kbps | 1:33:38 | 214 Mb
Genre: Rock / Label: UMG Recordings

No popular music group from the 60s, 70s, 80s or 90s has experienced more ups and downs in terms of popularity, or attracted such a diverse audience as The Bee Gees. They made their debut in the mid-60s in an ensemble reminiscent of The Beatles, then quickly began to write their own lyrics and develop a more personal style, perfecting along the way a completely singular progressive pop sound. After an empty stint in the early 70s, the band reinvented themselves during the disco era thanks to the soundtrack of the film Saturday Night Fever, which made them the most famous white soul band of all time.
Bee Gees - Here At Last... Bee Gees... Live (1977) 2CD, Japanese Reissue 1993

Bee Gees - Here At Last… Bee Gees… Live (1977) 2CD [Japanese Reissue 1993]
EAC | FLAC | Image (Cue&Log) ~ 486 Mb | Mp3 (CBR320) ~ 193 Mb | Scans ~ 102 Mb
Pop/Rock, Soft Rock, R&B, Disco | Label: Polydor K.K. | # POCP-2245/6 | Time: 01:23:54

Here at Last… Bee Gees… Live is the sixteenth album and the first live album by the Bee Gees. It was released in May 1977. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand and No. 2 in Spain, and sold 4.6 million copies worldwide. Here at Last was the first official live recording released by the Bee Gees, though many bootlegs have existed throughout the years of earlier performances.

Bee Gees - Mr. Natural (1974) {2022, Japanese Reissue}  Music

Posted by popsakov at Jan. 7, 2023
Bee Gees - Mr. Natural (1974) {2022, Japanese Reissue}

Bee Gees - Mr. Natural (1974) {2022, Japanese Reissue}
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 332 Mb | MP3 CBR320 ~ 184 Mb
Full Scans | 00:45:28 | RAR 5% Recovery
Pop Rock, Soft Rock | Capitol Records / Universal Music #UICY-16112

Their previous album having scarcely made a ripple and, now, hitless for two years, the Bee Gees went for a new sound in the hands of producer Arif Mardin. The result was Mr. Natural, the sultriest and most soulful record they had ever delivered up to that time. Shedding their pop sensibilities here and singing in a freer, more soulful idiom (with a strong Philadelphia soul influence) on songs such as "Throw a Penny," and with a funky beat backing them up on a lot of this record, the group is scarcely recognizable in relation to their previous work. Mr. Natural was the liveliest, most invigorating body of music to come from the group since their debut, but it also had moments of extraordinary sensuality, most notably "Charade" and "Had a Lot of Love Last Night."

Bee Gees - Greatest (1979) {1987, Reissue}  Music

Posted by popsakov at Aug. 27, 2023
Bee Gees - Greatest (1979) {1987, Reissue}

Bee Gees - Greatest (1979) {1987, Reissue}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 558 Mb | MP3 CBR320 ~ 234 Mb
Full Scans | 00:42:13 + 00:40:40 | RAR 5% Recovery
Pop Rock, Soft Rock, Disco | Polydor #800 071-2

In its original form, this double-LP compilation was a very generous repackaging of four years' worth of hits and notable album tracks, plus the Andy Gibb-authored "(Our Love) Don't Throw It All Away." It was a perfect distillation of the sound that had put the Bee Gees on top of the pop music world from 1975 onward. At the time, it did elicit some unspoken resentment from older fans who knew their hits from the 1960s, but as a collection of first-rate '70s dance music it was unimpeachable. It's also a statement of just how successful the Bee Gees were at the time that this was a double LP, representing just those four years, and how generous the group and RSO Records could afford to be – indeed, anything less would have seemed like exploitation of the fans, but extending it out past the obvious hits (including the Saturday Night Fever material) made this collection an event of sorts, and a release that could stand alongside their albums from Mr. Natural (where their '70s sound really begins) through Spirits Having Flown.

Bee Gees / Brothers Gibb - Bootlegs Collection [59 Releases] (1966-2005)  Music

Posted by Discograf_man at April 12, 2021
Bee Gees / Brothers Gibb - Bootlegs Collection [59 Releases] (1966-2005)

Bee Gees / Brothers Gibb - Bootlegs Collection [59 Releases] (1966-2005)
MP3 CBR VBR-320 kbps | Run Time: 60:01:49 | 4.58 GB
Genre: Pop, Soul, Disco, Rock, Soft rock | Label: Unofficial Releases

The Bee Gees were a music group formed in 1958, featuring brothers Barry, Robin, and Maurice Gibb. The trio were especially successful as a popular music act in the late 1960s and early 1970s, and later as prominent performers of the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists.

Bee Gees - Love Songs (2005) {Polydor/Universal} **[RE-UP]**  Music

Posted by TestTickles at Jan. 30, 2021
Bee Gees - Love Songs (2005) {Polydor/Universal} **[RE-UP]**

Bee Gees - Love Songs (2005) {Polydor/Universal}
EAC Rip | FLAC with CUE and log | scans | 489 mb
MP3 CBR 320kbps | RAR | 169 mb
Genre: pop, ballads

Love Songs is a 2005 compilation CD by The Bee Gees. The theme of the CD is songs of romance, taken from throughout their career. Fall in love with the Gibb Brothers all over again or for the first time in your life tonight.

Bee Gees - Children Of The World (1976) [1993, Japan]  Music

Posted by BlondStyle at Oct. 31, 2022
Bee Gees - Children Of The World (1976) [1993, Japan]

Bee Gees - Children Of The World (1976) [1993, Japan]
Pop/Rock, Soft Rock, R&B, Pop-Soul, Disco | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 39:03 | 361,14 Mb
Label: Polydor K.K. (Japan) | Cat.# POCP-2242 | Released: 1993-09-26 (1976-09-13)

"Children Of The World" is a 1976 album by the Bee Gees. The first single, "You Should Be Dancing", went to #1 in the US and Canada, and was a Top 10 hit in numerous other territories. The album has sold over 2.5 million copies. It was the group's 14th album (12th internationally). The album was re-issued by Reprise and Rhino Records. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years. The album was released in September 1976. Four singles were released. "You Should Be Dancing" in June 1976 (UK) / July 1976 (US); "Love So Right" in September 1976; "Boogie Child" in January 1977; and "Children of the World" in February 1977. "You Should Be Dancing" went to #1 in the US. "Love So Right" and "Boogie Child" reached #3 and #12 respectively in the US. "Love Me" was a hit for Yvonne Elliman and "You Stepped into My Life" was recorded by Wayne Newton in 1979. Barry Gibb felt that other tracks could also be hits.