Pure Amina is one of the most touching characters of the bel canto repertoire. The young somnambulist is completely unaware of her condition which loses her the love of her fiancé. Maria Callas was probably her most admirable performer, having won the heart of the Scala’s audience after a legendary series of performances staged by her close friend Luchino Visconti in 1955. Two years later, she would record this milestone studio recording – an absolute reference of Bellini’s discography – with Antonino Votto.
“Drama Queen” brings together the most dramatic studio recordings ever made by Maria Callas during the course of her career. Or, to express it more accurately, this compilation brings together some of the most dramatic operatic scenes and arias ever recorded. Even four decades after her death in Paris in 1977, what the director Franco Zeffirelli said about her still holds true today: there is a “BC” and “AC” era – “before Callas” and “after Callas”.
Callas made her belated Paris debut with this concert at the sumptuous Paris Opéra—now known as the Palais Garnier—in 1958. It was a major social event, attended by le tout Paris, and Callas appeared on the famous stage wearing her most elegant couture and a million dollars’ worth of jewellery. She opened with Norma’s “Casta diva”, which was followed by Leonora’s plaintive aria and the gripping “Miserere” from Act 4 of Il trovatore, before she lightened the mood with “Una voce poco fa” from Il barbiere di Siviglia.
I puritani (The Puritans) is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on Têtes Rondes et Cavaliers (Roundheads and Cavaliers), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel Old Mortality, while others state that there is no connection.
The fame and legacy of Maria Callas are nearly unsurpassed in the modern history of opera. Her fame has transcended the usual boundaries of classical music, and she has been the inspiration for several movies, an opera, and a successful Broadway musical. Her extensive catalogue of recordings remains among the most coveted and controversial for both her fans and detractors.