Ben Harper

It was like I was moving forward and venturing into places I had never been before. Taking everything I've learned from every other record and kind of setting fire to it all and starting over," Ben Harper says of his new album Bloodline Maintenance. "And I knew the sounds I was hearing in my head were so unorthodox that I had to do most of it myself." The result is a fearless and immensely soulful work largely inspired by the loss of a longtime friend and the lingering influence of a mercurial and charismatic father. Along with guitar and bass, Harper also played the drums including an eclectic assortment of percussions.

Ben Harper’s love for the humble lap-steel comes to a bold (and incalculably beautiful) peak with this 15-track instrumental trawl down trails of smoky soul, melancholic Americana and slick, summery folk. It’s downright incredible how much artistic ground the Californian bluesman is able to cover unaccompanied on Winter – the whole LP is just his prized Monteleone lap-steel, inhumanly articulate fretting hands and unfettered love for music as a spoon with which to stir emotion.

Ben Harper & the Innocent Criminals entered Gang Studio in Paris in November of 2006, immediately after finishing a nine-month world tour that ended with eight weeks in Europe. They loaded in their gear, rehearsed, and recorded directly to analog tape - i.e., without the aid of computers or Pro Tools - and mixed in seven days. The result is a deeply focused, loose, and laid-back record that is musically compelling and deeply soulful, and contains some of Harper's finest songs to date. At this time, the Innocent Criminals are drummer Oliver Charles, percussionist Leon Mobley, Juan Nelson on bass, guitarist Michael Ward, and Jason Yates plays keyboards, with a pair of backing vocalists, Michelle Haynes and Rovleta Fraser. Clocking in at just over 40 minutes, this is a brief record for Harper, but it serves him well. The music is a seamless meld of soulful folk, gospel, countryish rock, and blues…