Ben Schäfer

Known worldwide for his Symphony No. 3, 'Symphony of Sorrowful Songs', Polish composer Henryk Górecki enjoys an exceptionally high profile as a composer of contemporary music. Now the Molinari Quartet has chosen to explore Górecki's chamber works with this new recording of his complete string quartets. Each quartet bears a descriptive title. The first, 'Juz sie zmierzcha [Already dusk is falling]', is named after the opening line of a motet by a Polish Renaissance composer. The second, 'Quasi una fantasia', invokes Beethoven, acknowledged by Górecki himself as his muse for his first two string quartets. The title of the third quartet,… songs are sung, comes from a line by the Russian poet Velimir Khlebnikov.

Out of the drawers! Pia Davila and Linda Leine give new perspectives on "ostracised music".

This delightful "dramma eroicomico" ("heroic-comic drama"–-a made-up phrase brimming with irony) tells the story of the noble knight Orlando, who goes mad being torn between duty and love, his love, Angelica, who actually wants Medoro, and Alcina, an evil sorceress out to get Orlando, and turns it into a type of farce, with great results. There is some lovely music, mostly for Angelica and Medoro, but most of it is fun and light, with characters whistling, trying to impress people with how well they sing, etc. The scoring wittily underlines their foibles.

Thanks to his omnivorous curiosity, conductor Nikolaus Harnoncourt has revived an authentic masterpiece. Several opera composers–Lully, Handel, and Gluck–had already availed themselves of the amorous and stormy adventures of the knight Rinaldo and the enchantress Armida, drawn from Tasso's Jerusalem Liberated. Composed in 1784, Haydn's Armida was his the final opera he wrote for his patron Prince Esterházy, but it was also the composer's debut opera seria.