Benny Goodman

Falling in Love With Benny Goodman is part of RCA's mid-line Falling in Love With series, which focuses on romantic highlights from classic big-band, swing, and jazz artists. There aren't any risky choices on Goodman's volume, but that's fine, since each of the title's 16 cuts - including "Body and Soul," "The Man I Love," "Moonglow," "In a Sentimental Mood," "These Foolish Things Remind Me of You," and "The Glory of Love" - sustains a mellow, romantic mood. This record may not really be necessary, but for anyone looking for lovely, romantic music from Goodman, it's not a bad choice at all.

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed "The King of Swing," his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.

By the autumn of 1941, Benny Goodman's orchestra had taken on a polished, slightly oily aspect that was quite different from the bands he'd led a few years earlier. Pianist Mel Powell was now the arranger, Peggy Lee sang on most of the records, and the focus of the material often drifted away from authentically swinging jazz to include quite a number of pop tunes. This tendency is most dramatically demonstrated by two consecutive versions of "Buckle Down, Winsocki," with its John Philip Sousa intro and jocular group vocal. Although the arrangement gets hipper in midstream, one would never guess that the great Cootie Williams was in the band. Maybe nobody did - Williams left in mid-October, knocking the trumpet section down more than one peg…

The first half of this chronological release of Benny Goodman's 1931-1933 recordings is comprised of dance band performances from 1931 - 12 selections with vocals from Paul Small, Smith Ballew, and Dick Robertson that have little to recommend them except excellent musicianship. The jazz content is pretty low and even Goodman is not heard from much. This is from the era when the clarinetist earned his employment as a studio musician. The final ten numbers are from 1933 and are of greater interest. Trombonist/singer Jack Teagarden is well featured on six songs, Billie Holiday makes her hesitant recording debut on "Your Mother's Son-in-Law" and "Riffin' the Scotch," and there are some fine solos along the way by both Jack and Charlie Teagarden, pianist Joe Sullivan, and Goodman. This is still Benny Goodman pre-history, for he would not attempt to lead a big band until 1934.

The future "King of Swing", Benjamin David Goodman, was born on the 30th May, in Chicago, Illinois. He was the son of Jewish immigrants and grew up with 11 brothers and sisters. Benny Goodman learned to play the clarinet in a synagogue and took his first steps as a musician on the pleasure boats on the nearby Lake Michigan.
He worked for several years from the middle of the Twenties with Ben Pollack, but also played with several other bands. Goodman met the well-known music producer John Hammond in 1933, and was persuaded by Hammond to form his first big-band…

On this all-around excellent CD, Benny Goodman performs a dozen selections (mostly Fletcher Henderson arrangements) with a big band filled with sympathetic players in 1954 and eight other numbers with a pair of smaller units that also feature pianist Mel Powell and either Charlie Shavers or Ruby Braff on trumpets. Although the big-band era had been gone for almost a decade, Benny Goodman (then 46) plays these swing classics with enthusiasm and creativity and shows that there was never any reason for anyone to write him off as "behind the times."

Volume seven in the Classics Benny Goodman chronology presents 22 sides recorded for the Victor label in Hollywood during August 1936 and in New York during October and November of that year. Three big band performances open this compilation; the first two used arrangements written by Fletcher Henderson. Next come four titles excellently rendered by the Benny Goodman trio and quartet with Teddy Wilson, Gene Krupa, and vibraphonist Lionel Hampton, who sings wonderfully on "Exactly Like You" and the "Vibraphone Blues"…

The 1937 Benny Goodman & His Orchestra are still considered one of the top big bands ever. With a trumpet section featuring Harry James, Ziggy Elman, and Chris Griffin; pianist Jess Stacy and drummer Gene Krupa in the rhythm section; the leader's clarinet; and his trio and quartet with Teddy Wilson and Lionel Hampton, it is no wonder that Benny Goodman was so popular during this era. The main addition to the band during the second half of 1937 was singer Martha Tilton, who fit in quite well. Highlights of this often-stirring program include "Roll 'Em," the quartet on "Avalon" and "Handful of Keys," "Sugar Foot Stomp," and a swinging "Minnie the Moocher's Wedding Day."

The addition of Harry James to Benny Goodman & His Orchestra in January 1937 gave Benny Goodman one of the greatest trumpet sections ever with James, Ziggy Elman, and Chris Griffin all able to play both solos and lead. Gene Krupa's drumming became increasingly assertive during this period, adding excitement to the band even if Goodman was not sure that he enjoyed the change in the group's sound. Helen Ward's decision to retire at the end of 1936 was unfortunate (she would never regain the fame that she had at that moment) and it would take Goodman much of 1937 before finding the right vocalist. But with that trumpet section, Jess Stacy, Krupa, and the Benny Goodman Trio and quartet, not to mention the leader's clarinet, this was a classic band - the most popular in the music world…

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed "The King of Swing," his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.