Benny Hill

This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!

Ultimate 60s Jukebox is a fantastically groovy collection capturing the sound of one of the most exciting eras in pop music. Gathered together are some of the most loved and cherished 60s hits from the greatest icons of the time, including The Troggs, The Spencer Davis Group, The Beach Boys, Petula Clark, Status Quo, Fleetwood Mac, Tom Jones, Marmalade plus many more. Also featured are big signature Soul classics, courtesy of Dobie Gray, Edwin Starr, Barrett Strong, James Brown, Marvin Gaye, The Foundations plus beautiful heartwarming melodies from The Mamas and The Papas, The Flowerpot Men, The Righteous Brothers, Thunderclap Newman, The Yardbirds and many more superb names. This is an enjoyable collectable album of cool tunes that encapsulate this exciting time. Take a journey down memory lane to the most exhilarating decade in music.

Boots Randolph's signature tune, "Yakety Sax," was inspired by the sax solo in the Coasters' "Yakety Yak," and is much better known than its modest chart placement might suggest. Randolph had recorded "Yakety Sax" for RCA several years earlier without success, but his Monument recording clicked in 1963 and the accompanying gold-selling album spent nearly a year on the charts. Randolph's unique status as the man who popularized the saxophone in Nashville is reflected in half an album's worth of country songs like "I Fall to Pieces" and "If You've Got the Money." Randolph acknowledges the Coasters again on a version of "Charlie Brown," and gives the commercial folk craze the nod with renditions of "Cotton Fields" and "Walk Right In."

Covent Garden’s 2003 production of The Magic Flute , designed by John F. Macfarlane, directed by David McVicar, and conducted by Sir Colin Davis, is magnificent from a strictly musical standpoint. More than that, it’s vastly entertaining. The comedic elements of the story integrate far more comfortably than is often the case with Schikaneder’s high-minded (if vague) theme of a quest for enlightenment, particularly in the second act. Visually, the production is a feast, yet it doesn’t distract from the music.

Covent Garden’s 2003 production of The Magic Flute , designed by John F. Macfarlane, directed by David McVicar, and conducted by Sir Colin Davis, is magnificent from a strictly musical standpoint. More than that, it’s vastly entertaining. The comedic elements of the story integrate far more comfortably than is often the case with Schikaneder’s high-minded (if vague) theme of a quest for enlightenment, particularly in the second act. Visually, the production is a feast, yet it doesn’t distract from the music.