Based out of the sheriff-friendly town of Nottingham, England, the duo of Simon Mills and Neil "Nail" Tolliday met as housemates and formed the flippantly picturesque Bent – a group earmarking a page somewhere between an early morning Air and a less cacophonic Bentley Rhythm Ace. 'Ariels' is a massive departure and progression for Bent, in that it dispenses with the found-sound reliance of their first two albums (Programmed to Love' (2000) and 'The Everlasting Blink' (2003)). 'Ariels' is their first album that doesn't contain any samples, just pure sounds. Featuring the vocal talents of Steve Edwards, Sian from Kosheen, Rachel from Weekend Players and long time Bent cohort Katty, this album represents musicianship and songwriting skills, in which guitar chords replace samples as the starting point for the tracks. The result is a remarkable, emotionally resonant album.
Danish tenor sax-man Bent Jaedig left his mark while he was here. At his funeral in 2004, one speaker said, “He lived jazz, and he was a jazz musician with a capitol J so large, that it reaches the sky”. He was a sharp, modern jazz musician, and for long periods, his home and career were south of the Danish border. A true cosmopolitan and jazz nomad, from the mid-1950’s and on he played with the most important modern European jazz musicians and visiting American stars: Chet Baker, Benny Bailey, Lucky Thompson, Dusko Goykovich, Tete Monoliu, Don Byas, Bill Coleman, George Coleman, Carlos Ward, Mal Waldron, Philly Joe Jones and many, many more. He was offered Sal Nistico’s chair in Woody Herman’s orchestra but had to turn the offer down due to difficulties obtaining an American green card.
Bent Arcana is the product of five days' worth of improvised sessions which took place at John Dwyer's home studio in December of 2019. Aside from Dwyer and fellow Oh Sees family members such as saxophonist Brad Caulkins and keyboard player Tom Dolas, other participants included TV on the Radio's Kyp Malone on modular synthesizer, Sunwatchers bassist Peter Kerlin, violinist Laena "Geronimo" Myers-Ionita, and percussionists Andres Renteria and Ryan Sawyer. The music collected here ends up drifting in a few different directions, but they all share the free-form, cosmic music of the '70s as their starting point…
With Joe Lynn Turner on board, Rainbow tried one crossover record and one no-frills hard rock record – which meant that Bent out of Shape, their third album with Turner, provided a fine opportunity to get a little arty. Not that the band has turned into Genesis or even returned to the mystical pretensions of its early work; they have merely broadened their horizons…
Bent Knee are not a band for convention. In fact, since forming in 2009, the Boston-based six-piece have been on a constant journey of musical exploration that thoroughly disregards it. The result is five records that completely defy categorization and transcend genre. In other words, the band don’t just break the rules, they make up their own. That’s ensured they exist exclusively on their own terms. Frosting, the band’s sixth full-length, pushes those boundaries even further. It’s the most Bent Knee-esque Bent Knee record to date, which means that, simultaneously, it’s also the album of theirs that sounds the least like Bent Knee.