Bergen Gedichte

The tenor Sebastian Kohlhepp and his piano accompanist Andreas Frese present piano songs by Schumann, Liszt and Sj?gren on their CD for ARS PRODUKTION, to which one can attach rhapsodic, folkloric or historicising subjects. As the title suggests, they are about legends and heroes and lead the listener into a dream world that is as sonorous as it is fascinating.

Die armenische Pianistin Marianna Shirinyan gehört zu den kreativsten und gefragtesten Solistinnen und Kammermusikerinnen weltweit. Als sie im Jahr 2006 beim Internationalen Musikwettbewerb der ARD in München gleich fünf Preise erhielt, begann für sie eine steile Karriere.

Die armenische Pianistin Marianna Shirinyan gehört zu den kreativsten und gefragtesten Solistinnen und Kammermusikerinnen weltweit. Als sie im Jahr 2006 beim Internationalen Musikwettbewerb der ARD in München gleich fünf Preise erhielt, begann für sie eine steile Karriere.

Lotte Schöne is one of those singers whose personality shines through the shellac: joyful, expressive, and bubbly. She was loved by audiences in Vienna, Salzburg, Berlin, Paris, and London. Being Jewish, she left Berlin in 1933, but continued to sing in Vienna and Paris until 1938. At the outbreak of World War II, Schöne took refuge in a small village in the French Alps, where she stayed in hiding until 1945. After the war she gave occasional concerts and sang one performance in 1948 at the Berlin State Opera. She spent the remainder of her life living outside of Paris with her son and grandchildren. Lotte Schöne’s records are highly prized, especially her acoustic discs. This set contains all of her known recordings for Vox, Odeon, and the Gramophone Company, including six unpublished Odeon sides made just before the company’s conversion from the acoustic to the electric recording process, and four unpublished Gramophone Company sides of Hugo Wolf songs recorded in 1934. The set concludes with a delightful group of non-commercial discs made for her family, and a substantial offering of German and French songs recorded late in her career for French and German Radio in 1948 and 1950. This is the first time that Lotte Schöne’s complete extant recordings can be heard in one compilation. The booklet includes rare photos, an evaluation of Schöne’s recordings by Michael Aspinall, and a personal essay by the noted French author, André Tubeuf, written in English especially for this Marston Records release.

Lotte Schöne is one of those singers whose personality shines through the shellac: joyful, expressive, and bubbly. She was loved by audiences in Vienna, Salzburg, Berlin, Paris, and London. Being Jewish, she left Berlin in 1933, but continued to sing in Vienna and Paris until 1938. At the outbreak of World War II, Schöne took refuge in a small village in the French Alps, where she stayed in hiding until 1945. After the war she gave occasional concerts and sang one performance in 1948 at the Berlin State Opera. She spent the remainder of her life living outside of Paris with her son and grandchildren. Lotte Schöne’s records are highly prized, especially her acoustic discs. This set contains all of her known recordings for Vox, Odeon, and the Gramophone Company, including six unpublished Odeon sides made just before the company’s conversion from the acoustic to the electric recording process, and four unpublished Gramophone Company sides of Hugo Wolf songs recorded in 1934. The set concludes with a delightful group of non-commercial discs made for her family, and a substantial offering of German and French songs recorded late in her career for French and German Radio in 1948 and 1950. This is the first time that Lotte Schöne’s complete extant recordings can be heard in one compilation. The booklet includes rare photos, an evaluation of Schöne’s recordings by Michael Aspinall, and a personal essay by the noted French author, André Tubeuf, written in English especially for this Marston Records release.