Bernard Williams

Kierkegaard, MacIntyre, Williams, and the Internal Point of View  eBooks & eLearning

Posted by hill0 at April 25, 2018
Kierkegaard, MacIntyre, Williams, and the Internal Point of View

Kierkegaard, MacIntyre, Williams, and the Internal Point of View by Rob Compaijen
English | 4 Apr. 2018 | ISBN: 3319745514 | 312 Pages | PDF (True) | 2.21 MB

Kierkegaard, MacIntyre, Williams, and the Internal Point of View  eBooks & eLearning

Posted by AvaxGenius at April 14, 2018
Kierkegaard, MacIntyre, Williams, and the Internal Point of View

Kierkegaard, MacIntyre, Williams, and the Internal Point of View By Rob Compaijen
English | PDF,EPUB | 2018 | 305 Pages | ISBN : 3319745514 | 3.08 MB

This book takes the debate about the (ir)rationality of the transition to ethical life in Kierkegaard’s thought in a significantly new direction. Connecting the field of Kierkegaard studies with the meta-ethical debate about practical reasons, and engaging with Alasdair MacIntyre’s and Bernard Williams’ thought, it explores the rationality of the choices for ethical life and Christian existence.
Bernard Haitink, London Philharmonic Orchestra - Williams: On Wenlock Edge, Fantasia on a Theme by Thomas Tallis (2003)

Bernard Haitink, London Philharmonic Orchestra - Ralph Vaughan Williams: On Wenlock Edge, Fantasia on a Theme by Thomas Tallis, Norfolk Rhapsody No.1, The Lark Ascending, In the Fen Country (2003)
EAC | FLAC | Image (Cue & Log) ~ 282 Mb | Total time: 77:10 | Scans included
Classical | Label: EMI Classics | # 5 85151 2 | Recorded: 1986, 1994, 1997

If there were an international style of conducting Vaughan Williams', Bernard Haitink would be its foremost practitioner. But although there have been international conductors who have taken up Vaughan Williams' very, very English music, virtually all of them took him up with English orchestras. Slatkin, Stokowski, even Rozhdestvensky used English conductors when they led their Vaughan Williams, and Haitink, the most international of international conductors, used the London Philharmonic for his Vaughan Williams. Ultimately, no matter how international Haitink's interpretations may be, his Vaughan Williams performance sounds as English as shepherd's pie.
Bernard Haitink, London Philharmonic Orchestra - Ralph Vaughan Williams: Sinfonia Antartica (1986)

Bernard Haitink, London Philharmonic Orchestra - Ralph Vaughan Williams: Sinfonia Antartica (1986)
EAC | FLAC | Image (Cue & Log) ~ 167 Mb | Total time: 41:38 | Scans included
Classical | Label: EMI Classics | # CDC 7 47516 2 | Recorded: 1985

This disc, suitably and finely recorded with depth in 1985, is a very fine rendition of Vaughan Williams' seventh symphony, subtitled Antarctica, reflecting the source of its inspiration. The film depicts Scott's ill-fated expedition to the South Pole and Vaughan Williams was commissioned to write the music. While doing so, he became so engrossed by the subject that he reworked much of the material into his next symphony. The degree of reworking combined with fresh material took the music out of the realm of a film score suite and more properly into a symphonic conception.
Vaughan Williams: Symphony No. 3, "A Pastoral Symphony"* • Symphony No. 4 - Bernard Haitink, London Philharmonic Orchestra

Vaughan Williams: Symphony No. 3, "A Pastoral Symphony"* • Symphony No. 4
Bernard Haitink, London Philharmonic Orchestra, Amanda Roocroft (soprano)*

XLD | Apple Lossless (.m4a-tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~316 Mb
Vaughan Williams: Symphony No. 5 • The Lark Ascending • Norfolk Rhapsody - Bernard Haitink, LPO, Sarah Chang

Vaughan Williams: Symphony No. 5 • The Lark Ascending* • Norfolk Rhapsody No. 1
Bernard Haitink, London Philharmonic Orchestra, Sarah Chang (violin)*

XLD | Apple Lossless (.m4a-tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~293 Mb
Vaughan Williams: Symphony No. 2, "A London Symphony" - Bernard Haitink, London Philharmonic Orchestra

Vaughan Williams: Symphony No. 2, "A London Symphony" - Bernard Haitink, London Philharmonic Orchestra
XLD | Apple Lossless (.m4a-tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~233 Mb

In the Beginning Was the Deed: Realism and Moralism in Political Argument  eBooks & eLearning

Posted by tarantoga at Sept. 19, 2019
In the Beginning Was the Deed: Realism and Moralism in Political Argument

Bernard Williams, Geoffrey Hawthorn, "In the Beginning Was the Deed: Realism and Moralism in Political Argument"
ISBN: 0691124302, 0691134103 | 2005 | EPUB | 200 pages | 793 KB
Vaughan Williams: Symphony No. 8 • Symphony No. 9 - Bernard Haitink, London Philharmonic Orchestra

Vaughan Williams: Symphony No. 8 • Symphony No. 9 - Bernard Haitink, London Philharmonic Orchestra
XLD | Apple Lossless (.m4a-tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~311 Mb
David Bernard & Park Avenue Chamber Symphony - This Sceptered Isle: Wood, Holst, Vaughan Williams and Elgar (2022) [24/48]

David Bernard & Park Avenue Chamber Symphony - This Sceptered Isle: Wood, Holst, Vaughan Williams and Elgar (2022)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 67:46 minutes | 695 MB
Classical | Label: Recursive Classics, Official Digital Download

A century or so ago, Haydn Wood’s name was quite well-known in Britain. The youngest of the four composers here, he was born in Yorkshire in 1882 but raised on the Isle of Man. He enrolled as a scholarship student at Royal College of Music in London at the age of 15 and progressed so swiftly that soon thereafter his abilities as a violinist impressed such visiting luminary virtuosi as Pablo de Sarasate and Joseph Joachim.