Bernstein Greatest Hits

Maynard Ferguson, passed on 14 years ago, regarded as a one off, there will never be another musician like him with his power and incredible high note technique on the trumpet. This is his Greatest Hits from his time with Columbia, Big Band Pop/Jazz/Disco like never hear before, some are rare mixes never available on CD before. In 1977, resulted in a top-40 (#22) pop single, "Gonna Fly Now" (from the movie Rocky), a rare accomplishment for a jazz musician in the 1970s. Film and television themes figured prominently in the surging popularity of MF. On this CD the "Theme from Star Trek," and "Main Title from Star Wars," Bernstein's "Maria" from West Side Story, "Scheherazade" from the classical music realm, " Dorothy's "Over The Rainbow" from The Wizard of Oz. For the first time anywhere, on any format, we bring you the previously unreleased, "Shanti Mantra." Now, we leave you to the music and to your Memories Of Maynard.

MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)

MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)

To say that Aretha Franklin was one of the greatest American artists of all time is an understatement. Her multi-octave voice moved millions around the world during an unrivaled career that spanned six decades and garnered the singer-songwriter every achievement and honor imaginable. Her reign as the Queen of Soul will play out across four discs on a new boxed set from Rhino that is the first to span her entire career, including songs from every label she recorded with.

David Zinman’s Mahler cycle really hits its stride with this remarkable performance of the Third Symphony. It only has two small drawbacks worth mentioning. First, alto Birgit Remmert sounds pretty good in her big fourth-movement solo, but she’s far less impressive during her brief contributions to the choral fifth movement. Perhaps this take came from another evening (the symphony was recorded during a series of live performances). Second, at the very end of the symphony, despite the very beautiful playing, the trumpets fail to ring out as Mahler’s score directs. Better this glowing sonority than stridency, but there’s no reason why we can’t have the best of both worlds (Haitink’s first recording with the Concertgebouw on Philips never has been surpassed in this respect).