Best Necromancer

Written by LAURELL K. HAMILTON & JESSICA RUFFNER Pencils & Cover by RON LIM Wolverine vs. Anita Blake Variant Cover by RON LIM The second chapter of best-selling author Laurell K. Hamilton's thriller begins here! Vampire hunter Anita Blake has crossed the paths of the worst St. Louis has to offer--and now they want her out of the picture for good. But Anita isn't the type of person to go down without a fight...and she's going to make sure it hurts something fierce. Find out why Comic Bulletin calls the ANITA BLAKE series "Sexy...with a wicked sense of humor." --

This two-fer release from Varèse Sarabande pairs two of the more influential and interesting horror soundtracks of the slasher-film era. Charles Bernstein's score to Wes Craven's 1985 slasher cult classic A Nightmare on Elm Street is very much a product of its time, eschewing traditional orchestral approaches while employing state-of-the-art synthesizers and sound effects to convey the horror of Craven's suburban dreamscapes. Bernstein's unsettling cues utilize technology to strong effect, creating sinister atmospheres that effortlessly communicate the threat posed by the film's ghoulish antagonist, Freddy Krueger. The inorganic, dehumanized tones produced by the composer's synthesizers underscore the narrative's detachment from waking reality. That said, taken on its own terms the music is more than a little dated. While the best Hollywood scores boast a timelessness that transcends their origins, A Nightmare on Elm Street is immediately recognizable as a product of the mid-'80s, and whether that's a positive or a negative is left to the listener to determine.

Rush - 12 Album Collection (1974-1987) {2009 SHM-CD Japan Mini LP Remaster WPCR-13472~13483}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 3.26 Gb
Full Artwork @ 600 dpi (png) -> 1.45 Gb | 5% repair rar
© 1974-87, 2009 Atlantic / Anthem / Warner | WPCR-13472~13483
Rock / Prog Rock / Hard Rock

The opening chords of "Finding My Way" signal the beginning of a song, album, and career that would have a permanent place in rock history. The debut album from the Canadian progressive metal outfit features drummer John Rutsey who, although a talented drummer, would quit after this album to be replaced by Neal Peart. Peart contributed to the band's songwriting progression and use of time changes.

Composer/keyboardist Mychael Danna released a handful of ambient neo-classical albums early in his career, including 1991's Sirens, while embarking on what would become a long, award-winning career in film and TV scoring. His varied, mostly orchestral work in the medium spans animated family films (Disney Pixar’s The Good Dinosaur), award-winning dramas (Moneyball), indie comedies (Little Miss Sunshine), and long-running partnerships with directors Ang Lee and Atom Egoyan. Also an Emmy and Golden Globe winner, Danna won an Academy Award in 2013 for his score to Ang Lee’s Life of Pi.