Unique, strong, and sexy—that’s how Beyoncé wants you to feel while listening to RENAISSANCE. Crafted during the grips of the pandemic, her seventh solo album is a celebration of freedom and a complete immersion into house and dance that serves as the perfect sound bed for themes of liberation, release, self-assuredness, and unfiltered confidence across its 16 tracks. RENAISSANCE is playful and energetic in a way that captures that Friday-night, just-got-paid, anything-can-happen feeling, underscored by reiterated appeals to unyoke yourself from the weight of others’ expectations and revel in the totality of who you are.
Selten haben zwei Dinge so gut zueinander gepasst wie Liebe und Musik. Beide sind untrennbar miteinander verbunden. Ein Leben ohne Liebe ist nicht vorstellbar; ein Leben ohne Musik kann nur ein Irrtum sein. Beide lassen uns fühlen, leiden, reißen uns mit und manchmal auch runter, lassen uns schier explodieren vor lauter Begeisterung, enttäuschen uns, euphorisieren uns. Sie bringen uns zum Lachen und zum Weinen. Und bei beiden steht eines im Mittelpunkt: das Gefühl.
Rarely have two things so well fitted together like love and music. Both are inseparable. A life without love is inconceivable; a life without music can only be a mistake. Both make us feel, suffer, tear us with and sometimes down, let's seemingly explode out of sheer enthusiasm, disappoint us, euphoric us. They make us laugh and cry. And in both of takes center stage: the feeling.
It’s hard not to feel happy for Pharrell Williams. The eternally boyish producer, 40, is currently enjoying a career renaissance on the level of Mariah Carey in 2005 or Bryan Cranston in 2008, emerging after a presumed definitive career arc to star in a dazzling second act. "I see music," Beyoncé said in a video on her Facebook page, dubbed "Self-Titled, Part 1," just minutes after her surprise announcement of "Beyoncé," her fifth album. “It’s more than just what I hear. Chart Highlights offers a sneak peek at a select group of Billboard charts every Monday. Find out the top songs, Greatest Gainers and debuts on the surveys listed below.
Dancefloor wizardry is so expected of Jake Shears that it made the country, classic rock, and New Orleans homages of his self-titled debut album that much more surprising – and effective. He returns to dance music old and new on his second album, and two decades after he and the rest of Scissor Sisters turned "Comfortably Numb" into a mirrorball spectacle, Shears still finds ways to make club-oriented music that's equally catchy and innovative. He even splits Last Man Dancing's halves along those lines, beginning the album with self-contained bursts of instant-gratification disco-pop that are flashy and heartfelt at the same time.
It doesn't matter if you love AC/DC or hate them. It doesn't matter if you think Angus Young's bizarre schoolboy costume makes him a fashion victim or a major style icon. It doesn't matter if you think Brian Johnson is one of the greatest rock vocalists of all time or simply Rod Stewart-lite. Whatever your personal opinion about all of these pressing international issues may be, you might want to check out AC/DC Live at River Plate if only for one completely irrelevant, tangential item. Buenos Aires' gargantuan Estadio Monumental Antonio Vespucio Liberti, otherwise known as the River Plate Stadium, hosted a three night event over the first two weeks of December, 2009, that saw AC/DC perform nine sold out concerts to a thronging mass of humanity.