Cardboard sleeve (mini LP) reissues from Daryl Hall & John Oates featuring the high-fidelity Blu-spec CD format and the latest digital remastering
It's telling that Do What You Want Be What You Are, Sony/Legacy's comprehensive, career-spanning Daryl Hall and John Oates box set, takes its title from a moderately successful mid-'70s single from the duo, written and recorded just as the group was hitting their creative stride. The slow Philly groove of "Do What You Want Be Who You Are" may have hearkened back to the duo's soul roots, side-stepping some of the outré pop experiments they had done just two years earlier on War Babies, but Hall & Oates took the title's sentiment to heart, blurring boundaries between rock, pop, and soul in a way that wasn't always easy to appreciate at the peak of their popularity in the '80s…
They are the most successful pop music duo of all time. Daryl Hall and John Oates have long since surpassed Simon and Garfunkel and the Everly Brothers in the annals of pop pairings, having scored no less than 22 Billboard Top 20 singles, including six number ones, six platinum albums (sales of more than one million copies) plus another six gold LPs (sales of more than 500,000 units). Spanning the years 1966-2009, DO WHAT YOU WANT, BE WHAT YOU ARE: THE MUSIC OF DARYL HALL & JOHN OATES, the definitive Hall & Oates anthology, collects 74 sublime tracks, culled from seven different labels on its four discs. The set showcases 16 previously unreleased cuts including a host of wonderful live performances, as well as never before heard studio tracks and remixes.
It's 1940s and Dizzy Gillespie's big band are at their absolute peak! Listening to this record makes me wonder why there ever became such a thing as jazz snobbery. This music doesn't sound like the domain for snobs. In fact it showcases jazz in a crucial and innovative place. Here we are in this place where swing and be-bop have long ago cross polinated eachother (one needed to have the other anyway:we all know in what way",you've got Dizzy whose at once both a great intellectual musician as well as being able to make it move. And here you have him playing with these…well nowadays you'd have to call them all stars such as Dexter Gordon, Milt Jackson, Charlie Parker, Cozy Cole, Sonny Stitt, Kenny Clarke…the list goes on like that and BIM BAM BOOM you've got big band be-bop!
Celebrating sixty years since the launch of one of the most successful independent record labels in US Popular music. Received wisdom would have us believe that before Motown, no black-owned record company had made a significant impact on the US mainstream. However, the actuality is something else entirely. Way back in the early 50s, long before Berry Gordy had written his first song, VEE-JAY RECORDS - a black, family owned and run, Chicago-based label - was establishing itself via a steady stream of Blues, R&B, DooWop and Gospel hits.