Big Blue Book

Chuck Leavell has been pleasing the ears of music fans for more than 40 years now. His piano and keyboard work has been heard on the works of Eric Clapton, The Rolling Stones, John Mayer, The Black Crowes, George Harrison, The Allman Brothers Band, The Indigo Girls, Blues Traveler, Train, Montgomery-Gentry, Lee Ann Womack and many, many more. In addition to being a well established pianist/artist in the music industry, Leavell is also a published author, long time tree farmer, co-founder of the popular website The Mother Nature Network, and keeps busy with his advocacy work on behalf of the environment. At the age of 13, Chuck got the opportunity to see Ray Charles in concert. He recalls, “Ray and the band played an incredible show, and it had such an impact on me that I made up my mind there and then that that was what I wanted to do. I decided that night what I wanted as my career.” When he was 15, Leavell made his way to Muscle Shoals, AL, and the legendary studios there, where he played on several records, including Freddie North’s soul classic Don’t Take Her, She’s All I’ve Got.

Thirty-year used car sales veteran Ernie Mallozzi tells the secrets of the used car trade. Learn how to avoid scams!

The first definitive account of one of the most critical naval battles of World War II in the Pacific! Spring 1942: Following the Japanese attack on Pearl Harbor, America was reeling under the successive Japanese victories in Singapore, Hong Kong, the Philippines and more. Desperate to stop what was seen as an inexorable Japanese advance toward Australia, the weak U.S. Navy intercepted the larger Japanese fleet in the Coral Sea. The Battle of the Coral Sea ushered a new era in sea warfare. For the first time ever opposing fleets used carrier-launched aircraft to fight each other. It was a fight that would determine the future of the war.

Blue Labyrinth is the fourteenth book in Preston & Child's Pendergast series. It seems that with each new book, the authors write an even better and more intense story. I haven't been so involved with a series before and I don't see myself walking away from Special Agent Pendergast's life anytime soon. The complexities of his character and family history, while being slowly revealed to the reader over time, never cease to grow more mysterious and intriguing.

Aaron Parks Little Big, the new Ropeadope album from the acclaimed pianist, keyboardist and composer, is at once the culmination of his brilliant early career and the long-awaited follow-up to his Blue Note Records debut, Invisible Cinema. That 2008 release, with its gorgeously melodic writing and improvising and deft use of indie-rock, electronica and hip-hop elements, established Parks as one of the most gifted and original young voices in jazz. “This is the natural successor to that record,” says the New York-based artist, 34. “It’s taking the ideas of that project and doubling down on them—fully committing to that direction.”