Big Bounce

Acoustic Sounds celebrates Contemporary Records with this new reissue of Curtis Counce's 1957 album You Get More Bounce With Curtis Counce! Originally released in 1957 the album sees Counce (bass) alongside Jack Shelton (trumpet), Harold Land (tenor sax), Carl Perkins (piano) & Frank Butler (drums). Recorded by Roy DuNann this edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

This is Sabrina Weeks and Swing Cat Bounce at their best. Recorded live in Kamloops, BC, this album is an exciting, energizing and unforgettable journey into the very best in blues rock. It's powerful and sensuous all at once.

Do you desire 595.5MB of ready to use tools to compete with the top level names in the EDM scene? Are you looking for the inspiration to make the festival and club ready music you love, fast? Then look no further. We are extremely proud to present to you our brand new production toolkit - Future Bounce!

We will be the first but not the last to say… "this pack is INSANE!" Do you crave 3.35GB of tools to compete with the top level names in Melbourne Bounce? Do you need the sounds and the resources to make great music now?

Triad Sounds is back with the Melbourne Bounce pack of the year, produced by one of the best Melbourne Producers this pack is set to provide you with over 1.2 GB of the best quality content. Melbourne Bounce is going to play a big part in the festival/summer sound of 2015, with this pack being produced by an incredibly talented Melbourne Bounce Producer (Beatport top 10).

The idea of a big band in jazz is all-encompassing, representing completeness, fullness and instrumental articulation. In the mass collective imagination, when one thinks of jazz, a big orchestra immediately springs to mind, where the doors of rhythm and melody open wide, while harmonies run fast in swing time. The big band is the most traditional jazz formula, but it is also the most difficult: the musicians must be well disposed to choral and synergetic playing without attempting to overpower their sodalists, the solo parts are short and well distributed, while the improvisational fugues are contingent and controlled.

Everyone knows that David Beckham crosses the ball better than anyone else and that Tiger Woods never "chokes". But what are the hidden factors which allow the most successful sports stars to rise above their competitors – and are they shared by virtuosos in other fields?