For its fourth album, Big Country made two changes seemingly intended to bolster its fortunes in America – switching from Mercury Records to Reprise and enlisting hot producer Peter Wolf. The bagpipe guitar sound was de-emphasized, along with the political lyrics, and Wolf treated singer Stuart Adamson as he had Starship singer Mickey Thomas, adding echo and backup harmonies to beef him up. On songs like the lead-off single "King Of Emotion" (Top 20 in Britain, non-charting in the U.S.), Wolf sought to retain Big Country's heroic quality while adding the widescreen dramatic style and cheerleader choral approach of Starship's "We Built This City." It was a brave try, but didn't really suit the group, making Peace In Our Time Big Country's least representative and least interesting album. (Nevertheless, the title track made the U.K. Top 40, and "Broken Heart [Thirteen Valleys]" also charted.)
Stand On The Ocean is dedicated to going to the source to capture the blues and other roots music before "the suits, focus groups and PC Police get their hands on it". This offering featuring veteran Delta gunslinger Terry 'Big T' Williams proves the point and provides a taste of the big energy in an intimate setting still found in Mississippi's jukes. A little less polished and civilized than its big city cousin, today's Delta blues retains all the unsophisticated exuberance of the days when Muddy Waters cut heads on the streets of Clarksdale.
REVIEW BY MICK RAINSFORD, BLUES & RHYTHM MAGAZINE Big T, after 20 years seasoning with the likes of Dave 'Pecan' Orchard, Little Jeno Tucker and Big Jack Johnson, has teamed up with sons Terrell and Black Jack to form the Family Band and set out on his own….
Joe Bonamassa’s new CD features his incredible concert from August 31, 2014 which took place at the famous and drop-dead gorgeous Red Rocks Amphitheatre. The show is a spectacular celebration of the music of Muddy Waters and Howlin’ Wolf, featuring many of the two blues legends’ greatest songs and a few Bonamassa classics.
Recorded by Paul Smith at ACME Studio, Chicago on October 25, 1989. Released on Wolf Records. Feautres the great A.C. Reed on tenor sax and vocals, Big Wheeler on harp and vocals along with Luther Adams and John Primer on guitar, Willie Kent on bass and Timothy Taylor on drums.