A strong debut demands a strong follow-up. The pop/rock sextet BOYS FROM HEAVEN are now ready with their sophomore album, “The Descendant”. The group, though still faithful to the 80’s AOR universe, have found greater inspiration in a more atmospheric sound, where dreamy pads, punchy synthesizers and drum machines are blended with the band’s organic and authentic sound. All musical elements have been meticulously crafted in this incredibly detailed production, which is mixed and mastered by Erik Martensson (Eclipse, Ammunition, etc.). On “The Descendant”, Boys From Heaven present the sonic equivalent of cruising back to the future, straight to the arcade hall, on to the drive-in cinema, and back home to mend a broken heart. “With this release, we have made an album that doesn’t just draw its inspiration from the 80’s, but also takes the listener through an array of emotions analogous with this period of music”, keyboardist Mads Noye offers.
It was back in 2017 when Heaven & Earth’s latest longplayer ‘Hard to Kill’ hit the shelves. After four years, Stuart Smith and bandmates return with a new longplayer, simply entitled ‘V’. The new album also marks the return of the band to Frontiers Music who already released the debut in 2000…
Frontiers Music Srl is thrilled to announce the upcoming release of a long-awaited new studio album, "Get It Right" from Philadelphia hard rockers Heavens Edge. This will be their first official release since 1998, when the demos and other rarities,considered the band’s second album, "Some Other Place, Some Other Time" was put out. Original members Reggie Wu (guitars, keyboards), Mark Evans (vocals), David Rath (drums), and Steven Parry (guitars) are joined by newest member, bassist Jaron Gulino (Tantric, Mach 22), who joined the band after the tragic passing of original bassist George G.G. Guidott.
After the success of Vision Divine, singer / songwriter Michele Luppi got the chance to record his solo album, and the Italian baptized the release as MICHELE LUPPI's HEAVEN, with the album's title “Strive“. This is a collection of songs where Luppi puts his heart out: this is the music he loves, and while musically is obviously influenced by '80s AOR what Luppi delivers in “Strive” is quite different, personal. This is the type of AOR albums which avoids common places: you have the catchy choruses, the keys, sure, but there's something 'extra', something 'special' about this album.