Bild 18 2019

This Edition presents the “Magnificent Seven” and the “encore” in optimum technical quality. In the mid-Fifties of the last century, with the Cold War freezing relations between East and West, the English record label Decca decided to record a series of Russian operas with the Belgrade National Opera. Belgrade in the Yugoslavia of those days under Josip Tito was more open to “the West” than the Warsaw Pact countries gathered under the wing of the Soviet Union. The deal had been struck by former Decca manager and successful promoter of east European folklore in the USA, record executive Gerald Severn.

This Edition presents the “Magnificent Seven” and the “encore” in optimum technical quality. In the mid-Fifties of the last century, with the Cold War freezing relations between East and West, the English record label Decca decided to record a series of Russian operas with the Belgrade National Opera. Belgrade in the Yugoslavia of those days under Josip Tito was more open to “the West” than the Warsaw Pact countries gathered under the wing of the Soviet Union. The deal had been struck by former Decca manager and successful promoter of east European folklore in the USA, record executive Gerald Severn.