Bill Evans At The Montreux Jazz Festival

Bill Evans - At The Montreux Jazz Festival
EAC+LOG+CUE | WV: 316 MB | Artwork: 31 MB | 5% Recovery Info
Label/Cat#: Verve # 539 758-2 | Country/Year: Europe 1998, 1968
Genre: Jazz | Style: Post Bop, Modal

"Bill Evans' 1968 release, At the Montreux Jazz Festival, marks the beginning of stylistic changes for the legendary pianist… Evans, famous for a soft-spoken pianistic touch, seems driven to new vistas on this album. He experiments more with harmonic dissonance and striking rhythmical contrasts, making this his most extroverted playing since his freshman release, New Jazz Conceptions." ~allmusic

This 1968 release of Bill Evans' performance at the Montreux Jazz Festival the year before is a pinnacle of trio interplay (handily justifying its being awarded a Grammy for Best Instrumental Small Group Jazz Performance). Drummer Jack DeJohnette, at the beginning of his career ascension, spent only a year with Evans. His playing at this performance embraces the rich trio format that Evans developed, wherein each of the three are of seemingly equal voice. Listening to this set, one is hard pressed to identify any one musician as being in support of the others; rather, they are in tandem or in conversation. The previously unissued "Quiet Now" joins "I Loves You Porgy" as gorgeously emotive meditation for solo piano.–cduniverse

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.

William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.

Bill Evans - Some Other Time: The Lost Session From the Black Forest (2016) {2CD Resonance Records HCD-2019 rec 1968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 460 Mb | MP3 @320 -> 217 Mb
Full Artwork @ 600 dpi (jpg) -> 213 Mb | 5% repair rar
© 1968, 2016 Resonance Records / MPS | HCD-2019
Jazz / Post Bop / Modal Music / PIano Trio

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).