Bill Evans made his debut on electric piano, usually playing it in conjunction with his acoustic piano. Joined by bassist Eddie Gomez and drummer Marty Morell, Evans performs seven of his stronger originals including "Funkallero," "The Two Lonely People," "Re: Person I Knew," "T.T.T." and "Waltz for Debby." Although not as distinctive on the electric keyboard as he was on the acoustic counterpart, Evans sounds inspired by its possibilities and is heard in top creative form throughout the date.( Scott Yanow - AllMusic Guide )
A sublime 2-CD collection that spotlights the iconic song stylist dueting with the legendary jazz pianist from their two albums recorded in 1975 & 1976. Disc 1 combines the originally issued recordings, The Tony Bennett/Bill Evans Album and Together Again with two bonus tracks. Disc 2 features alternate takes from both sessions.
William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.
William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Although this 1998 CD may at first glance seem to be a reissue, all but three of the 11 selections had never been released before. The highly influential pianist Bill Evans is heard in five different settings. An unissued (and slightly earlier rendition) of the third section of George Russell's "All About Rosie" (a showcase for Evans with Russell's 14-piece orchestra) starts off the release. Next are the three previously issued but somewhat obscure numbers: a live rendition of "My Funny Valentine" with Miles Davis in 1958 (played by just a quartet) and two songs from a 1962 set headed by vibraphonist Dave Pike.