Although all eight of the selections heard on this Verve release have been recorded on other occasions by pianist Bill Evans, these renditions hold their own. Teamed up with bassist Chuck Israels and drummer Larry Bunker (his regular trio of 1963-1965), Evans plays definitive versions of such songs as Johnny Carisi's "Israel," "How My Heart Sings," "Who Can I Turn To," and "If You Could See Me Now."
Just three months before his death, pianist BIll Evans was extensively recorded at the Village Vanguard. Originally, one or two LPs were to be released featuring his brilliant new trio (with bassist Marc Johnson and drummer Joe LaBarbera), but after the innovative pianist's death, the project was stalled for over 15 years. Finally, when Warner Bros. got around to it, a definitive six-CD box set was released (although unfortunately in limited-edition form). Evans sounded quite energized during his last year, Johnson was developing quickly as both an accompanist and a soloist, and the interplay by the trio members (with subtle support from LaBarbera) sometimes bordered on the telepathic. The playing throughout these consistently inventive performances ranks up there with the Evans-Scott LaFaro-Paul Motian trio of 20 years earlier.
With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist only McCoy Tyner exerts nearly as much pull among younger players and journeymen and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed, lyrical, European classical sensibility into jazz and that seems to have attracted a lot of young conservatory-trained pianists who follow his chord voicings to the letter in clubs and on stages everywhere.
Concord Music Group releases three new titles in its Original Jazz Classics Remasters series. Enhanced with 24-bit remastering by Joe Tarantino, bonus tracks on each release (some previously unissued), and new liner notes to provide historical context to the originally released material, the series showcases pivotal recordings of the past several decades by artists whose influence on the jazz tradition continues to reverberate among jazz musicians and audiences well into the 21st Century.