Billy Cobham Atlantic

Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra before he became an accomplished bandleader in his own right.

Billy Cobham - Inner Conflicts (1978) {2014 Japan Fusion Best Collection 1000 Series WPCR-28147}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 279 Mb | MP3 @320 -> 91 Mb
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© 1978, 2014 Atlantic / Warner Japan | WPCR-28147
Jazz / Fusion / Jazz Funk

Features 24-bit digital remastering. Comes with a mini-description. A solid effort that has been dismissed based upon its associations with two Cobham lemons, Simplicity of Expression: Depth of Thought and B.C., all recorded around the same time. This recording finds Cobham continuing to explore the funk genre; however, the overall mood here is quite darker and more introspective, similar to Crosswinds.

This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.

The 16-tracks on this compilation are from Roy Buchanan's trio of mid-1970s titles: A Street Called Straight (1976), Loading Zone (1977), and You're Not Alone (1978). After a less than personally (or professionally) satisfying stint earlier in the decade with Polydor Records, Buchanan teamed up with Atlantic, who helped him get out of his pending contract with the former…

Robin Kenyatta - Gypsy Man (1973) {Wounded Bird WOU1633 rel 2008}
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© 1973, 2008 Atlantic / Wounded Bird Records | WOU 1633 (Atlantic SD 1633)
Jazz / Hard Bop / Jazz Blues / Soul Jazz / Jazz Funk

In 1972, two years after the release of Robin Kenyatta's seminal Girl from Martinique outing for ECM, he signed to Atlantic and released another seminal bit of classy jazz-funk. Gypsy Man, produced by Michael Cuscuna, has a who's-who lineup of players who would be synonymous with the newly emerging subgenre of jazz: drummer Billy Cobham (still a member of the Mahavishnu Orchestra at the time), percussionist Ralph MacDonald, session drummer Rick Marotta, guitarists Keith Loving and David Spinozza, pianist Larry Willis on Fender Rhodes, bassist Stanley Clarke (who released his own classic debut Children of Forever the same year and played on two of Norman Connors now legendary dates from the period, Dance of Magic and Dark of Light), and more.

This phenomenal French bassist leads a fine European group through some burning instrumentals. With special guests Mike Stern, Frank Gambale, Bireli Lagrene on guitar; Toots Thielemans, harmonica; Billy Cobham, drums and Mino Cinelu on percussion.

William S. Fischer - Circles (1970) {Water ‎water123 rel 2003}
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© 1970, 2003 Embryo / Runt / Atlantic / Water ‎| water123
Jazz / Fusion Jazz / Funk Rock Fusion / Experimental Fusion / Moog Synthesizer

Still riding high in 1970 as a subdued, thoughtful arranger for Herbie Mann, Nat Adderley and other headliners, Fischer was given a flyer by Mann's Embryo label to front a record of his own. The results – eclectic to a fault, sometimes wildly avant-garde, heavily influenced by the about-to-explode jazz-rock movement – are not at all what one would expect from this man, who arranged and composed the whole package. The basic band is staffed by rock and folk (respectively) guitarists Hugh McCracken and Eric Weissberg, with Ron Carter on electric bass and Billy Cobham revving up the power pack on drums.