Billy Cobham Spectrum

A lesser known Cobham recording that has only been available in the U.S. as an import. Cobham also seems to push guitarists to new heights (i.e. Tommy Bolin, John Abercrombie, John Scofield) and does so here with Barry Finnerty. Their interaction on the tune "Flight Time" is reminiscent of Cobham/Bolin on Spectrum. Yet, despite the intensity and chops of Finnerty and Cobham, this session is remarkably restrained thanks in large part to the thoughtful playing of keyboarist Don Grolnick. There is a definite sense of a band here, rather than just a collection of all-stars playing Billy Cobham songs; in fact, the only Cobham retread is "Antares" (from Magic). Whether it is Don Grolnick's piano solo on "6 Persimmons" or his opening duet with Barry Finnerty on "Princess," Cobham should get just as much credit for what he did not play.

A lesser known Cobham recording that has only been available in the U.S. as an import. Cobham also seems to push guitarists to new heights (i.e. Tommy Bolin, John Abercrombie, John Scofield) and does so here with Barry Finnerty. Their interaction on the tune "Flight Time" is reminiscent of Cobham/Bolin on Spectrum. Yet, despite the intensity and chops of Finnerty and Cobham, this session is remarkably restrained thanks in large part to the thoughtful playing of keyboarist Don Grolnick. There is a definite sense of a band here, rather than just a collection of all-stars playing Billy Cobham songs; in fact, the only Cobham retread is "Antares" (from Magic). Whether it is Don Grolnick's piano solo on "6 Persimmons" or his opening duet with Barry Finnerty on "Princess," Cobham should get just as much credit for what he did not play. It is a shame that this unit did not become Cobham's regular band as this is one of his most cohesive efforts.

Shabazz captures Cobham's Total Eclipse band in a live setting, and contains two originals, "Shabazz" and "Tenth Pin." The other two songs, "Taurian Matador" and "Red Baron," which debuted on Cobham's classic recording, Spectrum, are given an impressive update. All of the songs are blowing sessions allowing each musician ample time to develop their ideas. Cobham attacks his drums with a vengeance on the introduction to "Shabazz" and on his powerful solo for "Tenth Pin." This is a good, old-fashioned blowing session that captures one of Cobham's best bands at their peak.

Today marks the 70th birthday of one of the greatest drummers of this, or any generation; the remarkable Billy Cobham. From his earliest recordings with Horace Silver, Miles Davis and Milt Jackson, to his scintillating and seminal work with John McLaughlin's Mahavishnu Orchestra, keyboardist George Duke, and his own groups, like Culture Mix, Asere and the Spectrum 40; Cobham has thrilled audiences around the world by bringing his incomparable talents as a composer, drummer, and producer to the forefront of jazz, rock, fusion and world music. His latest effort is the eagerly awaited "Tales from the Skeleton Coast", part 3 of a series dedicated to his Panamanian parents.

Shabazz captures Cobham's Total Eclipse band in a live setting, and contains two originals, "Shabazz" and "Tenth Pin." The other two songs, "Taurian Matador" and "Red Baron," which debuted on Cobham's classic recording, Spectrum, are given an impressive update. All of the songs are blowing sessions allowing each musician ample time to develop their ideas. Cobham attacks his drums with a vengeance on the introduction to "Shabazz" and on his powerful solo for "Tenth Pin." This is a good, old-fashioned blowing session that captures one of Cobham's best bands at their peak.

This 2CD set illustrates fairly well Mr. Cobham's evolution through samples from 2 decades, extracting material from 6 albums, and presents it chronologically: Disc 1 begins with 3 tracks from 1985's "Warning", opening with a "re-vamped" version of "Stratus", a track originally released on his first solo album "Spectrum". Unfortunately missing on this compilation is "Mozaik", perhaps the most creative track on "Warning".
The next 5 tracks come from 1986's "PowerPlay", including all 6 parts of the "Summit Afrique" suite (only 4 parts were on the vinyl), demonstrating quite clearly the versatility of this creative drummer.
Disc 1 closes with 3 tracks from the "Picture This" album, released in 1987. Perhaps the weakest of his 3 albums for the GRP label, there's still some amazing performances included here…