Birth of The Third Stream

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…

One of the most influential guitarists of the 20th century, as well as a legendary musician and producer within country music. Without Chet Atkins, country music may never have crossed over into the pop charts in the '50s and '60s. Although he recorded hundreds of solo records, Atkins' largest influence came as a session musician and a record producer. During the '50s and '60s, he helped create the Nashville sound, a style of country music that owed nearly as much to pop as it did to honky tonks. And as a guitarist, he was without parallel.

Sofia Gubaidulina - The Canticle of the Sun (2001) {EMI Classics 5 57153 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 253 Mb | MP3 @320 -> 176 Mb
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© 2001 EMI Records | EMI Classics | 5 57153 2
Classical / Contemporary Classical

Sofia Gubaidulina (born in the former Soviet Tatar Republic in 1931) has earned immense regard from performers and new music intellectuals for her mingling of sonic innovation with a deep sincerity, and with a respect for the cultural traditions of her homeland. Her music abounds with unfamiliar sounds and equally unfamiliar playing techniques: one of her string quartets has the players bouncing rubber balls off of their instruments' strings. It is impossible, however, to accuse her of innovation for the sake of ego gratification, or merely to shock performers and audiences. Her music, as varied as it is, is consistently personal and honest, and unfailingly humble.

Music of England's greatest composer was a speciality of Alfred Deller. His artistry was particularly well suited to Purcell and Deller's role in establishing the greatness of this music cannot be exaggerated.
This collection includes iconic performances of solo vocal works with groundbreaking recordings of operas, sacred and theatrical works in which Deller performs and conducts. Being at the forefront of the re-birth of the early music movement, he naturally attracted many of the other supreme artists of the time, all of whom went on to become great figures in their own right.

Lock and load with a high-powered chronicle of one couple's failed marriage. Shoot Out The Lights is Richard and Linda Thompson’s final album together and, ironically, the folk-rock couple’s most artistically acclaimed and commercially successful. The album was recorded, scrapped, and rerecorded before finally emerging in 1982, arriving just around the time that the couple split up. Despite the separation, they embarked upon a U.S. tour to promote the album, delivering emotionally charged performances at every turn.

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top. But the songs this time around were far more personal, and, despite a nominal complacency, quite troubling. Only "All La Glory," Robertson's song about the birth of his daughter, was fully positive.