Themes is one of the most entertaining and thorough of any of Vangelis' collections, with excerpts spanning such albums as Opera Sauvage, China, and the ever-popular Chariots of Fire release from 1981. Most of the selections from Themes speak for Vangelis' movie contributions, including the infamous "Chariots of Fire" track as well as the lonesome-sounding theme from Missing and the powerful openings from Mutiny on the Bounty. With this music, Vangelis has implemented some variations in rhythm and some noticeable fluctuation in his synthesizer work, making these tracks much more colorful and animated than his new age meanderings of the '70s.
Vangelis, Jean-Michel Jarre, Herbie Flowers, J. Keating and J. Williams. All tracks are cover versions. Arranged by L'Orchestre Electronique.
UMTV are releasing ‘Café Mambo, 20 years of Ibiza Chillout’ celebrating 20 years of legendary DJs and classic music in Ibiza’s iconic pre-party bar on 16 June 2014. Mixed by Café Mambo resident Pete Gooding, artists include Lana Del Ray, Fatboy Slim, London Grammar, Grace Jones, Pete Tong, Groove Armada, William Orbit, Tensnake, Moby and Frankie Knuckles. The album also features an exclusive remix of a Phil Collins’ The Roof is Leaking as well a remix from The Rolling Stones. With a blend of classic, exclusive and rare songs, this album marks 20 years of iconic chillout music on The White Isle. Pete Gooding, Café Mambo resident says ” This album represents a fantastic 20 years of chilled music in Café Mambo. With such an incredible setting and view of the sunset, I have been honoured to play there over the years”.
The Amorphous Androgynous return with symphonic 41 minute 'We Persuade Ourselves We Are Immortal' in 6 epic parts. Featuring the legendary Peter Hammill (the Van Der Graaf Generator) on vocals alongside a host of musicians including Paul Weller (piano and guitar) Ray Fenwick (Spencer Davis Group / Ian Gillan Band) lead guitar, Brian Hopper (Caravan / Soft Machine) on sax and many others including the 50 piece Chesterfield Philharmonic Choir and a 25 piece sumptuously recorded live orchestral string section…
Any newcomer to ABBA’s final studio album – which is released this week as a deluxe CD+DVD edition – might be forgiven for thinking that they are listening to some kind of Kraftwerk/Vangelis hybrid as the title track starts, with its pulsing, ominous synths, Bladerunner twinkles, and processed vocals. But no, this is the same band that delivered Waterloo, I Do, I Do, I Do, I Do, I Do and Fernando only a few years earlier.
Originally reached no.13 in the UK charts in 1996 – taken from the top 30 album DEAD CITIES and loosely based on “Rachael’s song” from BLADERUNNER by Vangelis. Now 22 years later the group have recreated the track in 10 new compositions, seamlessly flowing together the journey, it travels from ambient rock to a land of electronica.