Bloch Speranza

Ernst Bloch - Avicenna e la sinistra aristotelica  eBooks & eLearning

Posted by Karabas91 at Feb. 28, 2019
Ernst Bloch - Avicenna e la sinistra aristotelica

Ernst Bloch - Avicenna e la sinistra aristotelica
Italian | 2018 | 169 pages | ISBN: 8857550478 | EPUB | 0,3 MB

Pubblicato per la prima volta a Berlino nel 1952, il saggio ripercorre il tortuoso cammino che da Aristotele, attraverso Avicenna, Avicebron e Averroè, giunge a delineare un concetto qualitativo di materia, intesa come grembo infinitamente fecondo di forme, fornendo così una base ontologica a quel principio speranza che ha rappresentato uno dei cardini della riflessione di Bloch. In queste dense pagine, il filosofo tedesco ci conduce nell'antica terra vergine di una materia utopica, una lontananza che vale la pena riscoprire perché "è fecondo solo quel ricordo che al contempo ci rammenta quanto ancora resta da fare".

Bloch-Type Periodic Functions: Theory and Applications to Evolution Equations  eBooks & eLearning

Posted by yoyoloit at Sept. 18, 2022
Bloch-Type Periodic Functions: Theory and Applications to Evolution Equations

Bloch-type Periodic Functions: Theory And Applications To Evolution Equations
by Yong-kui Chang;Gaston Mandata N'guerekata;Rodrigo Ponce;

English | 2022 | ISBN: ‎ 9811254354 | 209 pages | True PDF | 13.74 MB
Natalie Clein - Bloch, Ligeti & Dallapiccola: Suites for Solo Cello (2017)

Natalie Clein - Bloch, Ligeti & Dallapiccola: Suites for Solo Cello (2017)
EAC Rip | FLAC (tracks+.cue, log) | Covers, d.booklet | 242 mb | MP3 CBR 320kbps | RAR | 156 mb
Classical | Label: HYPERION

Natalie Clein, whose previous recording of the music of Ernest Bloch was described as ‘inspired’ by The Sunday Times, turns to his three suites for solo cello as part of a recital of works written in the aftermath of the Second World War. The sombre voice of the cello seems especially apposite in music of such deep seriousness, Ligeti’s short sonata providing an energetic and life-affirming finale.
Zara Nelsova, Utah SO, Maurice Abravanel - Ernest Bloch: Schelomo; "Israel" Symphony (1991)

Ernest Bloch: Schelomo; "Israel" Symphony (1991)
Zara Nelsova, cello; Utah Symphony Orchestra; Maurice Abravanel, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Genre: Classical | Label: Vanguard Classics | # 08 4047 71 | Time: 00:48:35

Schelomo receives its mead of barbarous splendour at the hands of Nelsova and Abravanel. The recording is a shade too warm but Nelsova (who recorded far too little) who studied the piece with the composer demonstrates her familiarity and sympathy with the piece. This is essential as Schelomo is one of those works that can easily seem nondescript if the artists involved are unengaged. In that sense it is rather like the Bax cello concerto (still awaiting its ideal exponent on disc). This is Nelsova's second, recording of the work. The feverish grip of the music is strongly asserted.
Zina Schiff, RSNO, Jose Serebrier - Ernest Bloch: Violin Concerto; Baal Shem; Suite Hebraique (2007)

Ernest Bloch: Violin Concerto; Baal Shem; Suite Hébraïque (2007)
Zina Schiff, violin; Royal Scottish National Orchestra; José Serebrier, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 308 Mb | Mp3 (CBR320) ~ 165 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.557757 | Time: 01:05:59

A precocious violin talent, Bloch left home at the age of seventeen to study with the illustrious Belgian violinist and composer Eugène Ysaÿe, who regognised his pupil's extraordinary creative potential and persuaded him to pursue composition. Bloch's Violin Cocnerto, an underrated rarity, is one of his most important works of the 1930s. Although Bloch attributed the major themes in the Concerto to American Indian songs heard on a visit to New Mexico, he also described the work as portraying 'the complex, glowing, agitated soul that I feel vibrating through the Bible'. The Suite hébraïque, which draws on traditional melodies to evoke a sense of nostalgia, and the exotic tryptich Baal Shem (Three Pictures of Chassidic Life), are indelibly associated with Bloch's 'Jewish works'.
Gerard Caussee; OSR; Lior Shambadal - Ernest Bloch: Helvetia; Suite for Viola & Orchestra; Suite hebraique (2003)

Ernest Bloch: Helvetia; Suite for Viola & Orchestra; Suite hébraïque (2003)
Gérard Caussée, viola; Orchestre de la Suisse Romande; Lior Shambadal, conductor

EAC | FLAC | Image (Cue&Log) ~ 259 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included
Genre: Classical | Label: Cascavelle | # RSR 6170 | Time: 01:12:20

This Swiss Cascavelle disc most adroitly presents the world premiere recording of the orchestral poem Helvetia alongside two less obscure works for viola and orchestra. A highly attractive release, well designed and documented. Enthusiasts of Bloch, the viola and the mountain heights must not miss this.
Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester - Transmission: Korngold, Bruch, Bloch, Ravel (2021)

Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester - Transmission: Korngold, Bruch, Bloch, Ravel (2021)
EAC | FLAC | Image (Cue & Log) ~ 275 Mb | Total time: 65:53 | Scans included
Classical | Label: Erato | # 0190295105105 | Recorded: 2020

Edgar Moreau salutes his family heritage and highlights landmarks in his artistic development with Transmission – music by Bloch, Korngold, Bruch and Ravel, recorded with the Lucerne Symphony Orchestra and its chief conductor Michael Sanderling. Moreau’s mother is of Polish-Jewish extraction and all five works on the album have a connection with Jewish culture. The largest work on the programme is Bloch’s Schelomo, which Moreau describes as “a majestic meeting of concerto and symphony, rich and colourful in its orchestration and full of contrasts”.
Seattle Symphony, Gerard Schwarz - Ernest Bloch: America; Concerto Grosso No.1 (2012)

Ernest Bloch - America; Concerto Grosso No.1 (2012)
Seattle Symphony, conducted by Gerard Schwarz; Patricia Michaelian, piano

EAC | FLAC | Image (Cue&Log) ~ 221 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.572743 | Time: 01:01:54

Swiss-born Bloch, a pupil of Eugène Ysaÿe, emigrated to the United States in 1916. Written in 1926, two years after Bloch had become an American citizen, America: An Epic Rhapsody, is the composer’s tribute to his adopted country. This romantic and patriotic score vividly surveys the history of the US from the native American melodies of pre-colonial days to the modern era of 1920s jazz and beyond. The Concerto Grosso No 1 is a bold statement which unites the eighteenth-century concerto grosso form with a modern tonal language.
Piers Lane, Goldner String Quartet - Ernest Bloch: Piano Quintets (2007)

Piers Lane, Goldner String Quartet - Ernest Bloch: Piano Quintets (2007)
EAC | APE (image+.cue, log) | Covers Included | 01:10:25 | 296 MB
Genre: Classical | Label: Hyperion | Catalog: CDA67638

Swiss-American composer Ernest Bloch is best known for his works on Jewish themes and subjects – Baal Shem, Schelomo, the Israel Symphony – but the majority of his works are abstract, if heavily accented music written in the standard late nineteenth century central European harmonies and forms. This 2007 Hyperion disc features two large-scale chamber works by Bloch, his three-movement piano quintets from 1923 and 1957, plus three shorter pieces for string quartet alone: Night and Paysages (Landscapes) both from 1923 and Two Pieces from 1938 and 1950.
Andrey Boreyko, Malmö Symphony Orchestra - Ernest Bloch: Trois Poèmes Juifs (2002)

Andrey Boreyko, Malmö Symphony Orchestra - Ernest Bloch: Trois Poèmes Juifs (2002)
EAC | FLAC (image+.cue, log) | Covers Included | 71:12 | 272 MB
Genre: Classical | Label: BIS | Catalog: BIS-CD-1183

There's a little joke behind the innocuous name of Ernest Bloch's Symphony in E-flat. It is, in truth, one of his most harmonically acerbic works, very close to the tortured contrapuntal idiom of another famous Swiss composer: Honegger. The piece only really achieves its home key in the quiet, final bars, but along the way sparks fly in all directions, and no matter how dissonant the idiom the argument is very easy to follow, and melodies and motives have distinctive, easily recognizable shapes.