Blonde on Blonde's second album, Rebirth, was a more focused body of music than their debut; it also constituted the recording debut of the group's second lineup: David Thomas (vocals, guitar, bass), Gareth Johnson (sitar, lead guitar, lute, electronic effects), Richard Hopkins (bass, keyboards), and Les Hicks (drums, percussion). Whether they're doing the spacy, airy, psychedelic pop of "Castles in the Sky" or the folky "Time Is Passing," the group attack their instruments as though they're performing live, and the effect is riveting throughout, even when the melodic content flags slightly…
Circling the intersection of ebullient synth pop and strutting indie rock, Canada's Yukon Blonde emerged from Kelowna, British Columbia in the late 2000s. The group is led by singer and main songwriter Jeff Innes. After releasing a more folk-rock-minded debut EP, Everything in Everyway, in 2009, they shifted toward a heavier reliance on synths and bass groves by their third LP, 2015's On Blonde.
Blonde on Blonde was a guitar-led psychedelic rock group from South Wales. The band was formed in Newport in 1967 by vocalist/guitarist Ralph Denyer, drummer Les Hicks, bassist/organist Richard Hopkins and guitarist/sitar player Gareth Johnson. The band was named after Bob Dylan's 1966 album of the same name.
The 14-track album, 50 Years of Blonde on Blonde, was recorded LIVE at the CMA Theater located inside the historic Country Music Hall of Fame and Museum located in Nashville, TN in May 2016. Mixed by GRAMMY Award-winning Ted Hutt and Ryan Mall. "Fifty years is a long time for a place like Nashville, Tennessee. Time rolls on slowly around here like flotsam and jetsam in the muddy Cumberland River. But certain things have accelerated the pace of our city. And certain people have sent the hands of the clock spinning. Bob Dylan is the greatest of these time-bending, paradigm-shifting Nashville cats," says Ketch Secor, the primary vocalist of the Old Crow Medicine Show. "By deciding to record his newly found rock n' roll voice in 1966 Nashville, Bob swung the gates of Country music wide open; so wide, in fact, that 50 years later there was still enough of a crack left for Old Crow Medicine Show to sneak its banjos and fiddles through the gates with string band swagger."