Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.
The Hunter is the sixth studio album by American band Blondie, released in May 1982. It was Blondie's last album of new material until 1999's No Exit. It was recorded in December 1981. The Hunter, as stated in the press release, is loosely a concept album based on the theme of "searching, hunting. or pursuing one's own Mt. Everest." Tracks on the album include Jimmy Destri's Motown pastiche "Danceway", while "Dragonfly" has a science-fiction theme to its lyrics about a race in space. "The Beast" deals with Deborah Harry's experiences of becoming a public figure: "I am the centre of attraction, by staying off the streets". "English Boys" is Harry and Chris Stein's melancholy tribute to "those English boys who had long hair", The Beatles, recorded the year after John Lennon's assassination in New York City, describing the innocence and idealism of the 1960s…
The 2011 box set rounds up Blondie's three latter-day comeback albums: No Exit, Livid, and The Curse of Blondie. This may not be Blondie's prime, but they had a strong comeback, and this is a good, wallet-friendly way to hear it all at once…
Plenty of Blondie compilations have appeared over the years, but the band endorsed Against the Odds: 1974-1982, a comprehensive complete chronology available in four separate incarnations: a Super Deluxe Collectors' Edition containing ten vinyl records (plus bonuses) and a Deluxe eight-CD set that both contain newly remastered versions of Blondie's first six albums plus 52 bonus tracks, then a Deluxe four-LP set and a triple-CD version that solely feature the non-LP bonus material. Some of the bonus tracks cover B-sides and single mixes that have been in circulation for some time, but there are a grand total of 36 unreleased tracks, most taken from the personal collection of guitarist Chris Stein, who is also the source for much of the memorabilia and pictures seen in the two hefty sets of liner notes accompanying the box. The bonus material runs the gamut of Blondie's career, ranging from edgy early demos from 1974 – they had the basic elements of "Heart of Glass" in place even then, here heard as "Once Had a Love" – to some stray synth mixes Stein commissioned for a project in 1982.
If new wave was about reconfiguring and recontextualizing simple pop/rock forms of the '50s and '60s in new, ironic, and aggressive ways, then Blondie, which took the girl group style of the early and mid-'60s and added a '70s archness, fit right in…
Atomic: The Very Best of Blondie is a compilation album of recordings by the band Blondie released by EMI/Chrysalis Records in the UK and the rest of Europe in late 1998, at the time when the band reunited and shortly before the beginning of Blondie's successful comeback tour. Atomic: The Very Best of Blondie includes the band's best known songs from the 70's and 80's as well as two new remixes of the title track. The compilation reached #12 on the UK charts and was certified platinum.