Blondie

Blondie - Parallel Lines (1978/2017) [Official Digital Download 24-bit/192kHz]

Blondie - Parallel Lines (1978/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 39:20 minutes | 1,76 GB
FLAC (tracks) 24-bit/96 kHz | Time - 39:20 minutes | 958 MB
Studio Master, Official Digital Download | Artwork: Front cover

Blondie's 1978 breakthrough album "Parallel Lines" is packed with radio-ready songs, including two British number one singles and another top five UK hit. As a result, "Parallel Lines" made it all the way to the top of the UK Albums Chart while cracking the US top 10 and has sold over 20 million copies internationally. Both Rolling Stone and NME include "Parallel Lines" on their lists of the greatest albums of all time.
Giorgio Moroder (feat. Blondie and Cheryl Barnes) - American Gigolo: Original Soundtrack (1980) Reissue 1999

Giorgio Moroder (feat. Blondie and Cheryl Barnes) - American Gigolo: Original Soundtrack (1980)
EAC | FLAC | Image (Cue&Log) ~ 238 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Label: Spectrum Music | # 551 103-2 | Time: 00:36:32
Soundtrack, Score, Pop/Rock, Disco, Electronic

While this soundtrack is arguably most notable for introducing Middle America to Blondie, there is also some interesting incidental music written by legendary producer Giorgio Moroder and performed by Harold Faltermeyer and Keith Forsey – the latter of which may be familiar to some as percussionist for the German prog/art rock collective Amon Düül. There is likewise a vocal contribution from actress/vocalist Cheryl Barnes on "Love and Passion." The album's pervading heavily manufactured and synthetically generated atmosphere is convincing in its aural depiction of the shallow decadence portrayed on the screen. It took almost two decades before American Gigolo was issued on CD in North America. The primary impetus for the release was the "extended version" of Blondie's "Call Me," which was unavailable on any Blondie album and was too long – at over eight minutes – to fit onto a single. The song was co-composed by Debbie Harry and Moroder specifically for this project, becoming the second chart-topper for the band, ultimately staying at number one for six weeks in March of 1980.

Blondie - Blonde And Beyond (1993)  Music

Posted by flac jacket at July 1, 2015
Blondie - Blonde And Beyond (1993)

Blondie - Blonde And Beyond (1993)
EAC Secure Rip | FLAC (Image + Cue + Log) - 489 MB | Complete Scans (Jpeg 600 dpi) - 103 MB | MP3 (CBR320 Kbps) - 176 MB
New Wave, Punk Rock | Chrysalis Records, Inc. | 0946 3 21990 2 7 | 70:16 minutes | Hosted on: NitroFlare

Blonde and Beyond is a unique compilation that gathers some of the band's hit singles along with album tracks, single b-sides and previously unreleased recordings, which include three demos and a live covers.
Blondie - In The Flesh: FM Broadcast, San Francisco 1977 (2015)

Blondie - In The Flesh: FM Broadcast, San Francisco 1977
Rock, Pop, New Wave | MP3 CBR 320 kbps | 50:20 min | 134 MB + 5% Recovery
Label: Sonic Boom | Tracks: 17 | Rls.date: 2015

In 1973, inspired by the burgeoning new music scene at the Mercer Arts Centre, Stein sought to join a band. He was accepted in 1973 by the Stillettoes as their guitarist and almost immediately formed a romantic relationship with one of the band's vocalists, Debbie Harry. In July 1974, Stein and Harry parted ways with the Stillettoes and formed a new group with band-mates Billy O'Connor (drums) and Fred Smith (bass). They had renamed themselves Blondie by October 1974. The band's first commercial success came in Australia in 1977, when the music television program Countdown mistakenly played their video In the Flesh, B-side of their then current single X-Offender.

Blondie - Greatest Hits: Sight & Sound (2005) [CD & DVD]  Music

Posted by v3122 at Feb. 2, 2020
Blondie - Greatest Hits: Sight & Sound (2005) [CD & DVD]

Blondie - Greatest Hits: Sight & Sound (2005)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EMI, 0946 345054 2 0 | ~ 541 or 188 Mb | Artwork(jpg) -> 15 Mb
DVD-5: AL 4:3 (720x576) VBR | LinearPCM, 2 ch
Pop Rock / Punk Rock / New Wave

Greatest Hits: Sight & Sound offers a best of compilation by Debbie and the boys, plus a bonus DVD of their videos and performances. Includes "Heart Of Glass", "Atomic", "Call Me", "Hanging On The Telephone" and "Rapture" to name but a few.
Blondie - Parallel Lines: Deluxe Collector's Edition (1978/2008)

Blondie - Parallel Lines: Deluxe Collector's Edition (1978/2008)
WEB FLAC (Tracks) - 428 MB | Cover | MP3 CBR 320 kbps - 138 MB | 00:59:22
New Wave, Pop Rock | Label: Capitol Records

Blondie turned to British pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band. But it wasn't just Chapman that made Parallel Lines Blondie's best album; it was the band's own songwriting, including Deborah Harry, Chris Stein, and James Destri's "Picture This," and Harry and Stein's "Heart of Glass," and Harry and new bass player Nigel Harrison's "One Way or Another," plus two contributions from nonbandmember Jack Lee, "Will Anything Happen?" and "Hanging on the Telephone."
Blondie - Blondie Singles Collection: 1977-1982 (Remastered) (2009)

Blondie - Blondie Singles Collection: 1977-1982 (Remastered) (2009)
EAC Rip | FLAC (tracks, cue, log) - 1.07 GB | MP3 CBR 320 kbps - 388 MB
2:35:53 | Scans Included | Pop Rock, New Wave, Power Pop | Label: EMI

2009 two CD collection from the New Wave outfit fronted by Debbie Harry containing all of their Chrysalis Records singles in chronological order including A and B sides from seven and twelve inch editions. Packed full with remastered versions of classic cuts and unreleased B-sides, as well as previously unavailable remixes. Includes the extended version of 'Call Me,' which appeared on the soundtrack for 1980's American Gigolo plus other great hits like 'Rip Her To Shreds', 'Heart Of Glass', 'One Way Or Another', 'The Tide Is High', 'Denis', 'Hanging On The Telephone' and many others. Features all the singles released from their debut album right through to their final single lifted from The Hunter album.

Turn Your Brownie into A Blondie: The Dessert Cookbook for Blondie Lovers  eBooks & eLearning

Posted by Sigha at June 18, 2018
Turn Your Brownie into A Blondie: The Dessert Cookbook for Blondie Lovers

Turn Your Brownie into A Blondie: The Dessert Cookbook for Blondie Lovers by Alice Waterson
English | June 13, 2018 | ISBN: 1721151281 | 72 Pages | EPUB | 1.42 MB

Blondie - Pollinator (2017) New Rip  Music

Posted by popsakov at Feb. 9, 2024
Blondie - Pollinator (2017) New Rip

Blondie - Pollinator (2017)
EAC Rip | FLAC (Img) + Cue + Log ~ 447 Mb | MP3 CBR320 ~ 161 Mb
Full Scans | 00:52:17 | RAR 5% Recovery
New Wave, Alternative Rock, Electronic Rock | BMG #538263402

As the third new Blondie album of the 2010s, Pollinator falls into something of a familiar pattern. Ever since 2011's Panic of Girls, the revived Blondie have been determined to fit within the confines of contemporary music, riding the remnants of the new wave revival and emphasizing electronics. Unlike Ghosts of Download, which was buried as a second disc with a collection of re-recordings of greatest hits in 2014, Pollinator pushes splashy guest stars. Blood Orange co-writes "Long Time" with Debbie Harry, Joan Jett guests on the opener "Doom or Destiny," Strokes guitarist Nick Valensi appears on "Best Day Ever," which he co-wrote with Sia Furler, and the group cover both Johnny Marr ("My Monster") and Charli XCX ("Gravity").

Blondie - Live In Boston '78 (2025)  Music

Posted by Rtax at April 9, 2025
Blondie - Live In Boston '78 (2025)

Blondie - Live In Boston '78 (2025)
WEB FLAC (tracks) - 732 MB | MP3 CBR 320 kbps - 288 MB
2:03:09 | Pop Rock | Label: Power Chord

Blondie's performance at the Paradise Ballroom in Boston on May 27, 1978, was a pivotal moment in their career, capturing the band on the cusp of mainstream success. The concert, part of their Plastic Letters tour, was broadcast live on WBCN-FM, allowing a wider audience to experience their dynamic energy and undeniable stage presence. Debbie Harry commanded the stage with her signature mix of punk attitude and glamour, while the band delivered a tight, high-energy set that thrilled the Boston crowd.